All Men Are Brothers (1975)

All Men Are Brothers [蕩寇誌] (1975)
AKA Seven Soldiers of Kung Fu, Seven Blows of the Dragon II, Seven Kung Fu Assassins

Starring David Chiang, Fan Mei-Sheng, Chen Kuan-Tai, Wong Chung, Danny Lee, Wang Kuang-Yu, Yue Fung, Ti Lung, Chu Mu, Tin Ching, Tung Lam, Chen Feng-Chen, Bolo Yeung, Lau Gong, Wong Ching, Chang Yang, Betty Chung, Ku Feng, Tetsuro Tamba, Chin Feng, Chen Wo-Fu, Michael Chan Wai-Man, Bruce Tong Yim-Chaan

Directed by Chang Cheh & Wu Ma

Expectations: Super high! A sequel to one of my all-time favorite Shaw films? Yes, please!


The Water Margin is one of my all-time favorite Shaw Brothers films (along with all of Shaw’s other films based on the classic Chinese novel —  Delightful Forest, Pursuit, and to a lesser extent The Amorous Lotus Pan and Chang’s segment in Trilogy of Swordsmanship), so All Men Are Brothers had a lot to live up to. The key to my immense affection for each film lies in how they all carry their own style and are therefore able to stand on their own in companionship with the other films, like the 108 Liang Shan bandits themselves. All Men Are Brothers is another very welcome addition to this lineup, taking its own path along the way to dramatizing a section of the illustrious book.

All of the previous films dealt with chapters from either the beginning or the middle of the book, but All Men Are Brothers seeks to tell the end of the tale. It takes material mostly from Chapters 90–100 (out of 100 total chapters), which deal with the redemption of the outlaws through their struggle to defeat the rebellious Fang La and his generals. A couple of flashbacks tell earlier tales to provide some character depth, and the film opens with Yan Qing’s procurement of the bandits’ pardon from the emperor (which is detailed in Chapter 81), but the film is mostly concerned with bringing everything to a close.

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The Pirate (1973)

thepirate_2The Pirate [大海盜] (1973)

Starring Ti Lung, David Chiang, Tin Ching, Lau Gong, Bruce Tong Yim-Chaan, Fan Mei-Sheng, Yue Fung, Dean Shek Tin, Wu Chi-Chin, Yeung Chak-Lam, Lo Dik, Wang Kuang-Yu, Cheng Kang-Yeh, Ko Hung, Yuan Man-Tzu, Wong Ching-Ho

Directed by Chang Cheh, Wu Ma & Pao Hsueh-Li

Expectations: High. Pirates, Ti Lung, David Chiang, and Chang Cheh? How can I not be pumped?

threehalfstar


I didn’t know quite what to expect going into The Pirate, but it’s safe to say that the opening sequence fulfilled pretty much every expectation I had. The film commences with a naval battle between a British ship and a Chinese pirate ship. The pirate captain is none other than Ti Lung, playing the chivalrous pirate Chang Pao-Chai, who was a real pirate in the 19th Century. Ti Lung performs like a Chinese Errol Flynn, athletically swinging from ropes and laying waste to everyone in his path with ease after the pirates board the British ship. I’ve loved the swashbuckling good times of Flynn and Douglas Fairbanks for years, so as soon as the film started it had me right in its pocket. (Do pirates have pockets?)

Having fulfilled the average moviegoer’s idea of a pirate movie, the film is free to reveal its true nature. It’s not so much about smuggling or thieving, as it is a drama about morality. Written by that ever-resourceful scribe Ni Kuang, The Pirate slowly introduces multiple factions that each have their own goals and desires. Of course, they all intersect and conflict with one another as the plot unfurls, with two defined villains, two heroes who are also villains depending on your moral standpoint, and one neutral group that is at the mercy of the others’ whims. This landscape works to great effect in presenting the tortuous life of a pirate with enemies on all sides.

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Miracles (1989)

MrCantonandLadyRose_1Miracles [奇蹟] (1989)
AKA Mr. Canton and Lady Rose, Miracle, Black Dragon, The Canton Godfather, Big Brother

Starring Jackie Chan, Anita Mui, Gua Ah-Leh, Richard Ng, O Chun-Hung, Sunny Fang Kang, Bill Tung, Tien Feng, Ngai Jan, Gloria Yip Wan-Yee, Wu Ma, Billy Lau Nam-Kwong, Lo Lieh, Lee Hoi-Sang, Michael Chow Man-Kin, Paul Che Biu-Law

Directed by Jackie Chan

Expectations: Very High. It’s the only classic Jackie film I’ve never seen.

threestar


Miracles is Jackie Chan’s favorite of all the films he’s made, but I doubt many of his fans share the sentiment. It is a lavishly produced film, a true achievement for Jackie Chan the director, but from a viewer’s perspective it is a bit all over the place. It is a prime example of the flexible approach to mixing genre and tone often seen in Hong Kong films, and as such it is both a rousing success and somewhat underwhelming. I imagine that future viewings of the film will only make it better in my estimation, as it won’t be working against 20-some years of expectation and personal hype.

Jackie’s film is a remake of the Frank Capra film A Pocketful of Miracles, which in turn was a remake of the earlier Frank Capra film Lady for a Day. I haven’t seen either of the Capra films, but judging from their synopses it would seem that their stories are more focused on the deceptive plotline that makes up the bulk of the second half of Miracles. Again I haven’t seen the other films, but this would make sense because just watching Miracles, it feels like the first half is almost entirely unnecessary in a strict plot sense.

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Heart of Dragon (1985)

HeartoftheDragon_1Heart of Dragon [龍的心] (1985)
AKA Heart of the Dragon, The First Mission, Powerman III

Starring Jackie Chan, Sammo Hung, Emily Chu Bo-Yee, Melvin Wong, Lam Ching-Ying, Mang Hoi, Chin Ka-Lok, Yuen Wah, Corey Yuen Kwai, Peter Chan Lung, James Tin Jun, Chung Fat, Dick Wei, Phillip Ko Fei, Anthony Chan Yau, Lam Ying-Fat, Wu Ma

Directed by Sammo Hung

Expectations: I remember not liking this one at all, but I’m sure I’ll be more open to it than I was as a teenager.

threestar


Heart of Dragon is one of the few Jackie Chan films that isn’t a traditional action film, and this makes it a hard sell to many fans. Director Sammo Hung wanted to stretch out the acting chops of both himself and Jackie, so the action was scaled back to allow the story’s drama to take the center stage. They even shot two fight scenes that were cut from the film, which should give you a pretty good indication of how dedicated Sammo was to making a more serious film that his previous work with Jackie. It also gave them the right to say, “We threw away better fight sequences than [insert movie title here] had!” 🙂

Heart of Dragon is actually more tonally mixed than all that makes it sound, and this really surprised me. I saw this film once before during my teenage obsession with Jackie, and the only thing I remember is Sammo in overalls and how bored I was. I honestly didn’t remember there being any action at all. This time I found Heart of Dragon to be a delicate mix of serious drama and lite comedy, with sprinkles of action and romance. Often the tones would mix together, too, which is always challenging for a movie to pull off. The scene when Sammo masquerades as his friend’s father to visit the school principal comes to mind. It’s funny as an isolated scene, but when you consider the entire situation it’s heartbreaking how vulnerable Sammo’s character is.

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Twinkle Twinkle Lucky Stars (1985)

l_90342_681fc4f9Twinkle Twinkle Lucky Stars [夏日福星] (1985)
AKA Seven Lucky Stars, The Target, My Lucky Stars 2: Twinkle Twinkle Lucky Stars, Winners & Sinners 3, Powerman II

Starring Sammo Hung, Richard Ng, Stanley Fung Sui-Fan, Michael Miu Kiu-Wai, Eric Tsang, Jackie Chan, Yuen Biao, Sibelle Hu Hui-Zhong, John Shum Kin-Fun, Rosamund Kwan, Andy Lau, Yasuaki Kurata, Richard Norton, Chung Fat, Wu Ma, Melvin Wong

Directed by Sammo Hung

Expectations: More fun.

On the general scale:
twohalfstar

But the action is:
fourstar


Like the other Lucky Stars films, Twinkle Twinkle Lucky Stars is more comedy than action film. So when a healthy amount of the comedy is rehashed from My Lucky Stars, it feels like a lesser film compared to its predecessors (even when the film’s action is some of the best that Hong Kong has ever cranked out). Twinkle Twinkle Lucky Stars does have its comedic moments, they’re just more sparse than I’ve come to expect from these films. My biggest laugh came right before the end credits, too, so instead of rollicking along it feels more like it ambles between action scenes and then rises sharply to the occasion at the end. And yes, I do mean that erection pun, because if we know anything about the Lucky Stars it’s that they’re always horny and looking for action.

This one starts off rather tamely, as the Lucky Stars are off to vacation in Thailand. Charlie Chin decides to stay home for some reason, so he sends his brother (Michael Miu Kiu-Wai) in his place, but he doesn’t really do much and just kinda blends into the crowd. Anyway, everyone else from My Lucky Stars is back, and even John Shum, one of the main cast in Winners and Sinners, gets a fairly large supporting role. But what are they doing? If you guessed, “Trying to score with women, and by score I mean, figure out a way to grope women where it seems nonchalant and perfectly normal” than you get the gold star! But this time they’re at a beach resort in Thailand, so the backdrop is bright, fun-filled and sunny.

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Wheels on Meals (1984)

wheelsonmeals_posterWheels on Meals [快餐車] (1984)
AKA Spartan X, Million Dollar Heiress

Starring Jackie Chan, Sammo Hung, Yuen Biao, Lola Forner, Benny Urquidez, Keith Vitali, Pepe Sancho, Paul Chang Chung, Richard Ng, John Shum Kin-Fun, Wu Ma

Directed by Sammo Hung

Expectations: The highest.

fourstar


Wheels on Meals is an old favorite, but it’s one of those movies that slipped through the cracks and I haven’t seen it in over 10 years. In the intervening years many films have come and gone, leaving very little of my memories of this film intact, but that’s OK because watching it this time around was almost like seeing it again for the first time. And with a film as enjoyable as Wheels on Meals, that’s a real gift.

What’s interesting about Wheels on Meals is that on the surface it’s a very simple, almost storyless film. So much of the first half is just random antics and gags, and while they’re all incredibly entertaining, there isn’t a traditional drive to them like you expect a movie to have. But as the film progresses it becomes apparent that the film’s plotting is actually very tight, controlled and slowly bringing the pieces together. In a way it feels similar to the fight choreography of the film; it’s simply flawless.

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Deaf and Mute Heroine (1971)

Deaf and Mute Heroine [聾啞劍] (1971)

Starring Helen Ma Hoi-Lun, Tang Ching, Shirley Wong Sa-Lee, Wu Ma, Lee Ying, Paul Wei Ping-Ao, Yeung Wai, Tang Ti, Hao Li-Jen

Directed by Wu Ma

Expectations: Moderate.

threehalfstar


Deaf and Mute Heroine is exactly the type of movie I hope for when I delve deep into the obscure and forgotten films of the past. Not only is it an entertaining film, it delivers one of the best wuxia finales of the era. The last 15 or so minutes are non-stop, and stuffed full of incredible, impressive wuxia filmmaking. It all feels so ahead of its time too, at least in terms of the amount of wuxia fantasy that is attempted and realized on-screen.

The film opens with a fight, as the Deaf Mute Heroine defeats a set of bandits and steals their booty of 300 pearls. These pearls set in motion the villains’ desire to hunt down and kill the Deaf Mute Heroine, as well as the other components of the story. But don’t be fooled into thinking that Deaf and Mute Heroine has an actual story! We’re supposed to be content with just knowing that the Deaf Mute Heroine is a force of good in the world, working to thwart these evildoers by stealing their pearls. Anything else, including any backstory on the main character, is to be supplied by your imagination.

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