Bram Stoker’s Dracula (1992)

Starring Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves, Richard E. Grant, Cary Elwes, Billy Campbell, Sadie Frost, Tom Waits

Directed by Francis Ford Coppola

Expectations: I expect to still love it.


It is always with a resigned sigh that I start to review a film I’ve seen a multitude of times. It’s always hard to find what to say, as my perceptions of the film are inevitably shaped by my previous experiences with it, and are therefore somewhat suspect. But even though I’ve seen Bram Stoker’s Dracula several times throughout my life, I’m still drawn back to it, and I still enjoy it every time. That says something right there about the power of the film, even if some of that power is just pure nostalgia.

I’m sure it has something to do with first seeing the film while I was a young, impressionable kid, but this has always been my favorite telling of the story, and it remains so. This version was billed as being true to the novel, and while it’s not exactly that, it’s definitely much closer than the previous adaptations. This time through, I noticed that Bram Stoker’s Dracula felt in spots almost like an amalgamation of the previous Dracula films, creating a distinct and unique version of the tale, but still paying homage to what had come before as well. Specific shots reference Nosferatu, Oldman’s Dracula voice contains shades of Lugosi’s, and the Gothic overtones and vivid color scheme remind me greatly of the work of the Hammer studio on 1958’s Dracula.

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