Quick Takes: Ichi the Killer, The Legend Is Born: Ip Man, John Wick

ichiIchi the Killer [殺し屋1] (1994)
threehalfstar

Starring Tadanobu Asano, Nao Omori, Shin’ya Tsukamoto, Paulyn Sun, Susumu Terajima, Shun Sugata, Toru Tezuka, Yoshiki Arizono, Kiyohiko Shibukawa, Satoshi Niizuma, Suzuki Matsuo, Jun Kunimura
Directed by Takashi Miike

Ichi the Killer is the third feature I’ve seen from Takashi Miike, and damn he’s good. A film like this that’s so incredibly bloody and violent, but yet the main takeaway is the need for a deep intellectual discussion… that’s hard to pull off. It ultimately felt like Miike had crafted a film that wonders about the people who watch these kinds of films (or violent, “negative” media in general) with an armchair bloodlust. This all seemed to hinge on one small moment during the finale when a character in extreme peril looks directly into the camera with intense fear, while that same camera is presenting a first-person view from the character instilling this fear in the other. In any case, this is definitely not a film for the squeamish, as it’s one hell of an extreme, sadistic bloodbath. Audition may have gotten the “this movie is so crazy and shocking” press, but Ichi the Killer is a million times worse than Audition. The nipple scene is sheer torture! I literally pushed my chair back as far as it would go, cringed and repeated “Goddamn!” in a whisper for the next 30 seconds or so. Good stuff.

TheLegendIsBornIpMan+2010-3-bThe Legend Is Born: Ip Man [葉問前傳] (2010)
AKA Ip Man Zero
threestar

Starring Dennis To, Crystal Huang Yi, Xu Jiao, Hins Cheung King-Hin, Fan Siu-Wong, Yuen Biao, Lam Suet, Yip Chun, Bernice Liu Bik-Yi, Sire Ma Choi, Rose Chan Ka-Wun, Sammo Hung
Directed by Herman Yau

I initially avoided The Legend Is Born: Ip Man out of respect for the original Ip Man films. I didn’t want to see any watered-down knock-offs. But then it occurred to me that it was no different than all the Brucesploitation films that are a lot of fun, so I plunged in head-first, hoping it wouldn’t be as trashy as a you might expect a knock-off to be. And, you know, it actually felt more respectful of Ip Man’s legacy than Ip Man 2 was! The Legend Is Born even features Ip Man’s son, Ip Chun, in a wonderful role as an elder student of Wing Chun that has developed a more refined and varied approach to the fighting style that revolutionizes Ip Man’s way of thinking. This reminded me greatly of Bruce Lee’s Jeet Kune Do style, and if this section of the film was truthful to Ip Man’s life, then I imagine it was this spirit of openness to other styles and ways of thinking that he would later pass on to Bruce. I loved the focus on Wing Chun in The Legend Is Born, and it’s definitely one for Hong Kong fans to watch. In some ways it actually felt like an older-style kung fu film that is generally no longer made, and you know that kind of thing is a quick way to my heart. And it has Yuen Biao and Sammo Hung in supporting roles!

johnwickJohn Wick (2014)
AKA Sin Control, John Wick: Sin Control

twostar

Starring Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe, Dean Winters, Adrianne Palicki, Omer Barnea, Toby Leonard Moore, Daniel Bernhardt, John Leguizamo, Ian McShane, Lance Reddick, Clarke Peters
Directed by Chad Stahelski & David Leitch

I just didn’t connect with John Wick at all. I blame the fan hype that sold it as some kind of John Woo-style gun movie. I didn’t see that in it AT ALL. The way the violence was handled felt really gross. It’s the same problem I have with a lot of modern horror films: everything looks too damn real or graphic for me to just have fun with it. I am forced to reckon with the reality of the situation, which in this case is John Wick revenge-killing a whole shitload of dudes. All the violence is really flippant and backed by “cool” music, too, so everything about the violence felt glorified and dirty to me. I can’t have fun with that. Does this even make sense to anyone but me? It’s hard to explain. Whatever. I didn’t like it. ’nuff said.

Stephen reviews: From Up On Poppy Hill (2011)

From_Up_On_Poppy_Hill_Poster_1_640x948From Up On Poppy Hill [コクリコ坂から Kokuriko-Zaka Kara] (2011)

Starring Masami Nagasawa, Junichi Okada, Keiko Takeshita, Jun Fubuki, Yuriko Ishida, Takashi Naito, Shunsuke Kazama, Nao Omori, Teruyuki Kagawa, Haruka Shiraishi

Directed by Goro Miyazaki


Studio Ghibli has been doing a lot of adaptations. Howl’s Moving Castle, Tales of Earthsea, and Arrietty were all direct novel adaptations, while Ponyo was loosely based on Hans Christian Andersen’s The Little Mermaid. From Up On Poppy Hill marks their fifth adaptation in a row. Ghibli was always the go-to source for fantastic, original anime films. Except they haven’t made one in over a decade now.

This may seem like a minor point, but to me it’s not. In the anime industry, film has generally played second fiddle to TV series. The films are almost always adaptations, and I think it hurts them more often than it helps. Films like Fist of the North Star, Dagger of Kamui, and Fate/Stay Night are all hampered by their attempts to tell a story not meant to be a mere two hours long. Ghibli showed that even in the modern-day anime industry, original films could not only be successful, but they could also be at the pinnacle of the industry. There are others now that make original films, like Makoto Shinkai and Mamoru Hosoda, but Ghibli was the best. It just makes me a bit sad to see them leave their roots.

Continue reading Stephen reviews: From Up On Poppy Hill (2011) →

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