Drunken Master [醉拳] (1978)
AKA Drunken Monkey in the Tiger’s Eyes, Drunk Monkey
Starring Jackie Chan, Simon Yuen Siu-Tin, Hwang Jang-Lee, Lam Kau, Linda Lin Ying, Dean Shek Tin, Chiang Kam, Max Lee Chiu-Jun, Yuen Shun-Yi, Fung Ging-Man, Tino Wong Cheung, San Kuai, Hsu Hsia
Directed by Yuen Woo-Ping
To set the scene: Snake in the Eagle’s Shadow, Jackie Chan’s first big hit, was released in March of 1978 and sent a shock wave through the Hong Kong martial arts film world. It became one of the most successful Hong Kong films of all time, out-grossing even the mega-popular Bruce Lee films. A mere seven months later came Drunken Master, the second of Jackie’s collaborations with director/choreographer Yuen Woo-Ping, and it did 2½ times as much as Snake in the Eagle’s Shadow did at the Hong Kong box office. Boom! Not only was Drunken Master a mega-hit, it solidified Jackie Chan as a major player in Hong Kong film, it made drunken-style kung fu “a thing” in movies, and it further expanded the kung fu comedy genre that Yuen and Jackie had officially kicked off with Snake in the Eagle’s Shadow. Drunken Master is one of the hallmarks of ’70s kung fu cinema, and with good reason. It’s amazing.
The one aspect that’s lacking in Drunken Master is the story, but it is a testament to the strength of every other aspect that even though this flaw is very noticeable, it never detracts from the experience. In many ways, it’s kind of a re-hash of Snake in the Eagle’s Shadow, starting with a mountaintop fight scene where Hwang Jang-Lee takes on a fighter and mercilessly kills him with his amazing leg work. But instead of being a negative point, the re-hash is actually more of a distillation. Drunken Master takes everything that worked perfectly in Snake in the Eagle’s Shadow and perfects it even more, leaving out all the rest. Which, honestly, is that film’s relatively average kung fu revenge plot. “Who needs it?” they must have said, and I agree.