The Running Man (1987)

runningman_2Starring Arnold Schwarzenegger, Maria Conchita Alonso, Richard Dawson, Yaphet Kotto, Jim Brown, Jesse Ventura, Erland van Lidth, Marvin J. McIntyre, Gus Rethwisch, Professor Toru Tanaka, Mick Fleetwood, Dweezil Zappa, Kurt Fuller

Directed by Paul Michael Glaser

Expectations: Super high, this is one of my favorite movies.

fourstar


As with Commando, I’m unable to give The Running Man anything less than a full and total endorsement of four stars. I’ve seen this film more times than I could ever remember; at this point it almost seems like I was the one who escaped from prison and got roped into a sadistic, future game show when the girl I kidnapped ratted me out. But my love of The Running Man isn’t blind, and now that I’m tasked with sharing my thoughts, I’ll do my best to relate why I think it’s such a great movie.

The film began its life under director Andrew Davis, who was just coming off of the Chuck Norris movie Code of Silence and would later go on to make such films as Under Siege, The Fugitive and Collateral Damage. Davis was fired after one week of filming, and Arnold is on record saying that this hurt the film because the replacement director, Paul Michael Glaser, shot it like a TV show. I love Arnold, but I have to disagree. The Running Man is gorgeous, and the look is one of the main reasons it succeeds. The film bursts with colors, from bright neons to dark blacks and blues. Thick fog and dirty mists swirl around our characters, filling many of the shots with a level of intoxicating cinematography usually unseen in genre fare like this.

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Midnight in Paris (2011)

Midnight in Paris (2011)

Starring Owen Wilson, Rachel McAdams, Kurt Fuller, Mimi Kennedy, Michael Sheen, Nina Arianda, Carla Bruni, Yves Heck, Alison Pill, Corey Stoll, Tom Hiddleston, Sonia Rolland, Daniel Lundh, Kathy Bates, Marion Cotillard, Adrien Brody

Directed by Woody Allen

Expectations: Woody Allen films are always fun for me, even the bad ones, so I expect to enjoy this.


(If you’re really anticipating this film, come back after watching because I’m about to spoil it all as I seek to analyze.)

Woody Allen is one of the last classic directors still pumping out films like clockwork. While his output of the last fifteen years has had its ups and downs, he never lost that Allen feeling and voice. Not many filmmakers can say that about themselves. So when a new Woody Allen film drops, I always approach with a distinct love and appreciation of his work, but not a lot of high expectations. I seem to enjoy his recent films a lot more than the average Allen fan, but I still approach with trepidation. Leave it to me to moderately enjoy the newest in the string of “Allen’s best film in decades!” Sure, it’s a solid film, but at the end of the day, it isn’t much more than amusing. It’s one of those Allen films I enjoy with a small smile on my face throughout the film, as it’s not laugh-out-loud funny but it is quite charming.

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