Mini-Review: That Man in Chang-An (1967)

That Man in Chang-An [幪面大俠] (1967)

Starring Fang Ying, Gam Jan-Fooi, Yen Chun, Allyson Chang Yen, Tang Ti, Tien Feng, Wong Ching Ho, Cheung Kwong Chiu, Piu Liu-Chik, Chiu Ming

Directed by Yen Chun

Expectations: Moderate.


That Man in Chang-An is yet another early Shaw Brothers film that gets as much wrong as it does right. It’s not a poorly made film by any stretch, but it suffers from being overlong and light on the action. The first hour is devoted mostly to setup with only a couple of small sequences of excitement, notably a wagon chase and a fight in the middle of the forest. Both scenes are excellent and are shot with an eye for enhancing the action through quality camera movement. There’s also a fantastic opening sequence in which our hero, The Masked Man, infiltrates the enemy’s castle and steals an Imperial Edict.

The sets are as lavish and beautiful as the costumes, and it’s clear the picture was meant as a costume drama over anything else. The second half of the film does get more interesting with various escape plots and short battles with guards. One of these fights features an impressive horizontal tracking shot that follows the Masked Man as he lays waste to all comers. As you’d expect from an early Shaw film, the choreography leaves a lot to be desired, but the shot is electric nonetheless.

The final fight is pretty exciting though, thanks in part to the undercranked fast motion of the combatants. I’m not a big fan of this technique but it worked very well here to get things moving. At 111 minutes this is a lot longer than your average Shaw film and it feels like it, so any increase in speed is appreciated. There’s also a ton of gorgeous exterior shots that add a lot of flavor to the overall tone of the picture. Ultimately, this is another one strictly for those already attuned to the works of the Shaw Brothers.

The Twin Swords (1965)

The Twin Swords [鴛鴦劍俠] (1965)

Starring Chin Ping, Jimmy Wang Yu, Ivy Ling Po, Petrina Fung Bo Bo, Lo Lieh, Tien Feng, Cheng Miu, Wu Ma, Ku Feng, Lau Leung Wa, Chen Hung Lieh, Chiu Ming, Feng Yi, Kao Pao Shu, Lam Jing, Lee Wan Chung, Wong Ching Ho, Wong Yeuk Ping

Directed by Hsu Cheng Hung

Expectations: Low. The first film was OK, I don’t expect this will be too much different. I have heard it is better though.


This is more like it. I hope you like martial arts fantasy movies, because The Twin Swords packs lots of imaginative fun into its compact runtime. Starting off with the final scene from Temple of the Red Lotus, our heroes Jimmy Wang Yu and Chin Ping battle through the villainous scoundrels of the Red Lotus clan. They are once again saved by the quick darts of the Scarlet Maid, but the forces of evil are not known for resting on their laurels. They quickly concoct a plan to lure our heroes and their twin swords straight into the Red Lotus temple, which has been newly retrofitted with tons of lethal traps!

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Temple of the Red Lotus (1965)

Temple of the Red Lotus [江湖奇俠] (1965)
AKA “The Red Lotus Monastery”

Starring Jimmy Wang Yu, Chin Ping, Ivy Ling Po, Lo Lieh, Petrina Fung Bo Bo, Tien Feng, Ku Feng, Wu Ma, Kao Pao Shu, Lau Leung Wa, Chen Hung Lieh, Chiu Ming, Feng Yi, Ko Lo Chuen, Kok Lee Yan, Lam Jing

Directed by Hsu Cheng Hung

Expectations: Moderate, as this is such an early Shaw and it’s bound to be rough, but I’ve been building a lot of mind-hype for this over the past few months.


It all had to start someplace, and for the Shaw Studios, this is evidently the first of their films to include martial arts sequences. It fared very well at the box office, spawned two sequels (which I will be looking at in the coming weeks), and launched an entire genre. While Come Drink With Me and The One-Armed Swordsman may be more well-known films from this early period in Shaw history, Temple of the Red Lotus was their first color martial arts film and is notable for that if nothing else.

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