Little Big Soldier (2010)

Little Big Soldier [大兵小將] (2010)
AKA Big Soldier, Little General, Junior Soldiers, The Big Soldier

Starring Jackie Chan, Wang Lee-Hom, Steve Yoo Seung-Jun, Lin Peng, Do Yuk-Ming, Ken Lo, Yu Rong-Guang, Jin Song, Xu Dong-Mei, Wu Yue, Wang Bao-Qiang, Niu Ben

Directed by Ding Sheng

Expectations: Low. Late-period Jackie Chan isn’t usually all that great.

Little Big Soldier has been a film close to Jackie Chan’s heart for roughly twenty years. It languished in development hell since the late 80s for some reason, probably the fact that at its core it’s not really a martial arts film. This is more of Jackie in a dramatic role than a straight action picture, although there is a lot of room for his distinct blend of action and comedy to burst forth. Who knows what might have been if this had been made when it was conceived (or what classic film we might not have), but I’m here to report that Little Big Soldier is pretty good. It’s not going to set your world on fire, nor will it become a modern-day classic Jackie film (like I’m hoping his latest Chinese Zodiac will be). It is simply a fun little road movie with flashes of excellent action and choreography.

The film opens on the aftermath of a huge battle between Liang and Wei forces. Jackie is the lone remaining Liang soldier, and while scouring the battlefield he finds that the Wei general has been wounded, but is still very much alive. The reward for the capture and return of a live enemy general is five acres of land and freedom from conscription, so Jackie ropes him up and the grand adventure home begins.

In terms of Jackie fans looking to recapture his glory days, you (or I) should just go back and watch one of the classics again. The action we get is pretty fun, with the best moment coming between Chan and Wang Lee-Hom who have a great fight over a sword in a small hut. The thing about Jackie’s character in this, like many of his modern roles, is that he’s a character that doesn’t really know how to fight. It’s established early that he’s something of a trickster, employing fake arrows, comedy and acting to get by on the battlefield. So to have him perform any real action, the filmmakers have employed the use of dream sequences to give the character the agility and prowess needed to go toe-to-toe with his enemies.

But you shouldn’t be coming to Little Big Soldier for the action; the action should be the cherry on top of the road adventure. And that’s exactly what it is. The interactions and the growing friendship between Jackie and Wang Lee-Hom hold the film together and give it heart and tension where it needs it. Thematically, it’s nothing new—in fact it’s a rather clichéd road movie—but despite this Little Big Soldier manages to keep the pace quick and rollicking enough to make it a fun ride.

I didn’t take many notes with this one, as it didn’t make me think about much while I was watching it. It was fun, I enjoyed it, and sometimes that’s enough. The film was shot entirely on location in the forests and deserts of China, so you’d better believe that it looks awesome throughout. The cinematography is nice and the film is filled with lots of beautiful shots. There are moments when modern filmmaking rears its head with digital slow-motion or dropped frames, but for the most part the film retains something of an old-school feel throughout.

If you like Jackie the actor, definitely check this one out. He does a great job, except for one crying scene towards the end that had me wondering if he was fake crying on purpose to get something from the other character and would break out of it, but he never did… so I guess we found one thing Jackie is unable to do. Wang Lee-Hom is also excellent as the captured general, blending fierce moments of action with quiet, tender conversations between himself and Jackie.

Little Big Soldier isn’t a classic, but in terms of modern Jackie Chan films, it’s excellent and easily one of the best in the last few years. Just know that he doesn’t do much in the way of fighting, and when he does it’s more creative evasion and rock throwing than anything else.

4 comments to Little Big Soldier (2010)

  • The only two US-backed JC films I actually enujoyed were Rumble In The Bronx and Who Am I?…. after that, I gave up on his Stateside career, and even his more recent Asian stuff has been pretty lame. Check out Forbidden Kingdom (with Jet Li slumming it) for a joke of a film…. Man, we’re a long way from Supercop aren’t we?

    • Well, I guess you don’t like any of his US films then, as Rumble and Who am I? are both HK productions. I saw Forbidden Kingdom in the theater when it came out, I kind of hated it. I loved Jet Li playing the Monkey King though, and have wanted to see it again even though I’ll probably still hate it. So you didn’t like at least the first Rush Hour, or Shanghai Noon? Those were pretty good for US productions and then Shanghai Knights has a pretty good fight between Chan and Donnie Yen. Whenever I start my Jackie Chan series, I’ll eventually go through those all again.

      In any case, yes, we are a long way from Supercop at this point. I have hopes that his last big action movie Chinese Zodiac will recapture some of the lost glory. Have you seen the trailer? I linked it in the first paragraph of this review.

  • Yeah, saw the trailer for Chinese Zodiac a while back, and I was (unfortunately) still a little “meh” on it…. I hope it’s good, though.

    I was unaware Rumble and Who Am I were HK productions (although now that I think about it, I’m not surprised WAI was because that wasn’t even set in America, was it?) so thanks for clearing that up! Didn’t like Rush Hour (can’t frickin’ stand Chris Tucker) and felt the Shanghai films relied too much on Owen Wilson (and I’m not a huge fan of his either, to be honest) for the comedy, although I’ll admit the fight scenes in the latter films were’t too bad at all.

    • Ah man! Well, I hope Chinese Zodiac is as good as I hope it to be. I’d love one more kick-ass flick from JC.

      Rumble was edited down for US release about thirty minutes and was basically responsible for his explosion over here. Who Am I? was made after that explosion, so it was produced in English to make it easily accessible by the new American audience. I think it was set somewhere else, but it’s been so long that I don’t remember.

      Rush Hour and the Shanghai films definitely rely too much on annoying sidekicks for my taste as well, but in terms of his US movies they’re about as good as it gets I think. After that it’s all shit like The Tuxedo.

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