The Deadly Trackers (1973)

deadlytrackers_2Starring Richard Harris, Rod Taylor, Al Lettieri, Neville Brand, William Smith, Paul Benjamin, Pedro Armendáriz Jr., Isela Vega

Directed by Barry Shear

Expectations: None.

onehalfstar


The Deadly Trackers opens with a few minutes of still images introducing us to the town of Santa Rosa. Sometimes dialogue plays over these images, creating the feeling of recalling a memory through a series of photographs. The images also carry the texture of a painting or an old photograph. This intro drags on for quite a while, eventually introducing a group of bandits robbing the bank. If there was ever an opposite to the slam-bang, ball-grabbin’ Sam Fuller-style intro, this would be it.

Where the motion begins, though, becomes all the more jarring because of this slow run-up of still images. The leader of the bandits, Brand (Rod Taylor), shoots a bank clerk in the forehead and the film almost literally explodes into action. Is it possible to assume that if Sam Fuller had been allowed to make the film he would’ve just opened here? Probably not, but it would definitely be closer to his style than anything Barry Shear decided to do in The Deadly Trackers.

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Casa de mi Padre (2012)

casa-de-mi-padre-poster-will-ferrell-690x1024Starring Will Ferrell, Diego Luna, Pedro Armendáriz Jr., Genesis Rodriguez, Efren Ramirez, Adrian Martinez, Gael García Bernal, Manuel Urrego, Nick Offerman, Jerry Collins

Directed by Matt Piedmont

Expectations: Pretty high, but Will Ferrell movies are usually a thumbs down for me.

threehalfstar


Like many of the films I review here, Casa de mi Padre is not a movie for everyone. You could arguably say that about most movies, but this movie, like any true genre film, is strictly for a select group of people. If you’re someone that’s seen a shitload of Will Ferrell comedies and loved them, then this probably isn’t your movie. But if you’ve seen some low-budget Mexican films or telanovelas and enjoyed them and you like Will Ferrell in general, then this is your movie. The comedy here is mostly subtle nods to the genre’s tropes and shortcomings, and will go over the heads of those expecting Ferrell’s usual bombastic comedy.

The story tells a tangled web of deceit and intrigue surrounding the Álvarez family. Raul (Diego Luna), brother of ranchero Armando Álvarez (Will Ferrell), returns home from the big city to introduce his fiancée to his family. From here… hmm… I’ve tried to summarize the plot succinctly for a few minutes now and have come up with nothing that could tell the story quick and dirty without spoiling many of the melodramatic reveals. So basically, Armando must defend the honor of his family from the evil drug dealer Onza. It takes a while to get around to that, but that’s basically the drive of the story.

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Uncle Jasper reviews: Las Vampiras (1969)

Las Vampiras (1969)

Starring Mil Máscaras, John Carradine, María Duval, Maura Monti, Marta Romero, Pedro Armendáriz Jr.

Directed By Federico Curiel


 

Boy, oh boy. If there’s anything I’ve always thought my lucha films were sorely lacking in, it’s impotent vampires and John Carradine. Thankfully Las Vampiras came just in the nick of time to remedy that situation. A famous character actor, hand picked out of John Ford’s legendary stock company and plopped right into the middle of the wacky world of Lucha Libre is enough to raise quite a few eyebrows. Unfortunately, the result is by far one of the worst genre offerings I have ever had the misfortune to sit through.

Sorry folks, I really was hoping for a better introduction to the films of Mil Máscaras, the final piece of the lucha holy trinity, than Las Vampiras provided me with. This movie is so careless and jumbled in terms of narrative and atmosphere that it insults the intelligence of even the most devoted follower of lucha cinema. I literally felt my brain cells popping off one by one like a bubbling vat of simmering frijoles.

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