All Quiet on the Western Front (1930)

allquietonthewesternfront_1Starring Louis Wolheim, Lew Ayres, John Wray, Arnold Lucy, Ben Alexander, Scott Kolk, Owen Davis Jr., Walter Rogers, William Bakewell, Russell Gleason, Richard Alexander, Harold Goodwin, Slim Summerville, G. Pat Collins, Beryl Mercer, Edmund Breese

Directed by Lewis Milestone

Expectations: Moderate. I’m not too excited to watch this for some reason.

fourstar


All Quiet on the Western Front is a remarkable film for its day, and it’s one that still holds up impressively well today. It is a war film that contains everything you could possibly want in one: battles, boot camp, camaraderie, patriotism, disillusionment, the list goes on. The film opens on the patriotic high of classmates enlisting for their country’s greater good, spurred on by the rousing words of their professor, and it eventually works its way through the war to a very natural and emotional anti-war ending.

Set during World War I and focusing on the German side of the struggle, All Quiet on the Western Front is largely plotless and driven simply by the various episodes and struggles the characters go through. There’s no grand goal for them to achieve; the film doesn’t even attempt to convey the context of the war and which side is which. This one is specifically from the point of view of the enlisted man, the man who must die for his country and who stands to gain nothing more than the right to go back to his life if he survives the war.

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The Mummy (1959)

Starring Peter Cushing, Christopher Lee, Yvonne Furneaux, Eddie Byrne, Felix Aylmer, Raymond Huntley, George Pastell, George Woodbridge, Harold Goodwin, Denis Shaw, Willoughby Gray, Michael Ripper

Directed by Terence Fisher

Expectations: High. The Mummy was my favorite Universal horror film as a kid.


For the final film of my four film Hammer series, I decided to go with the hallowed tale of The Mummy, a standby favorite monster of my childhood via the 1932 Universal film starring Boris Karloff. What was always interesting to me about that film was Karloff’s vulnerability and the fact that while he was killing people and generally doing wrong, he had a reason to do so that was understandable. He was a sympathetic monster and coupled with the copious Egyptian motifs, I was powerless to the power of the mummy.

So going into Hammer’s take on the tale, there was a pretty high hill to climb. Unfortunately, I can’t say what I’ve said in all the previous Hammer reviews, that “This one is even better than the Universal version!” I stand firmly by the original, and while I did greatly enjoy Hammer’s film, I thought it was slower than it needed to be. When your monster is a shambling corpse wrapped in ancient bandages and caked with thick swamp mud, you do get something of a pass, but I can’t excuse away all of the film’s crawling pace.

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