Starring Robert Z’Dar, Matt Hannon, Jannis Farley, Mark Frazer, Melissa Moore, Krista Lane, Gerald Okamura

Directed by Amir Shervan

Expectations: Oh I fully expect a golden, wonderful piece of shit.

On the general scale:

On the B-Movie scale:

PURE. FUCKING. AWESOME. Can you tell I loved Samurai Cop? Oh man, where do I begin? This movie surpassed all expectations I had and promptly found a place beside shitty favorites such as Laserblast and Mac and Me. It’s always a joy to find a pure gem of cinematic trash like this, and Samurai Cop is like the Dom Perignon of trashy action flicks. Literally everything in this movie is done poorly and wrong, but it’s just this quality that means that literally everything is perfectly right. This is the kind of cult movie favorite that only a truly gifted individual could pull off. Like Lawrence of Arabia, or Troll 2, Samurai Cop is a movie so pure in its vision that it transcends the simple label of entertainment and becomes an art form. Samurai Cop is pure fucking awesome and you need it in your life.

I honestly didn’t keep track of the story as the film went along, as the film wasn’t too concerned with keeping track of it either. There’s a Japanese gangster who’s mad at some other gangsters and causing mayhem in the streets. The police force brings in their specialist, a man known as Joe Samurai to take on these katana-wielding fuckers. And that’s pretty much it. The cops chase the bad guys and shoot their guns. Next scene: the bad guys hunt down the cops and shoot their guns. Repeat. It’s fantastic. Samurai Cop is nothing but pure, unfiltered 80s, opening with a pair of undercover cops trailing a GMC van to a cocaine deal on the marina. I believe most everything of note in the 80s happened on the docks of a marina. Isn’t that where Reagan held the press conference to tell Gorbachev to tear the wall down?

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