Starring Alexander Fu Sheng, Chi Kuan-Chun, Chen Kuan-Tai, Deng Tak-Cheung, Feng Yi, Feng Hak-On, Kong Do
Directed By Chang Cheh
Men from the Monastery continues the “Shaolin Cycle” of films that Chang Cheh kicked off with Silver Emulsion favorite, Heroes Two in 1974. More or less a direct sequel of sorts to Heroes Two, Alexander Fu Sheng and Chen Kuan-Tai return as legendary folk heroes Fong Sai-Yuk and Hung Si-Kwan. Except this time they are joined by the revenge driven powerhouse Hu Huei-Chien, played by the sleek Chi Kuan-Chun in what I assume is his acting début. Men from the Monastery is a pretty apt title, but I am hoping that in some alternate reality this film goes under the much cooler moniker of Heroes Three. It just makes so much sense.
To my surprise this film actually manages to outdo its prequel despite some really strange narrative devices that eventually end up growing on you the further you get into the film. The movie is divided up into segments, each focusing on a particular character. These segments overlap each other well enough before finally unifying themselves in the film’s absolutely stellar fourth and final act. It sounds great on paper, but if you don’t know that (as I didn’t) before going in, you will wonder what the hell has happened to Chen Kuan-Tai, who isn’t even mentioned by name until 41 minutes into the film.