The Raid (2012)

The Raid [Serbuan maut] (2012)
AKA The Raid: Redemption

Starring Iko Uwais, Joe Taslim, Doni Alamsyah, Yayan Ruhian, Pierre Gruno, Ray Sahetapy, Tegar Satrya, Iang Darmawan

Directed by Gareth Evans

Expectations: Super high. So stoked for this movie.

Before I get into more specific feelings about The Raid, I want to say that I really enjoyed it overall. I liked Merantau a lot more, but I think The Raid is the better made film hands down. With that out of the way, let’s get down to business. Iko Uwais and Gareth Evans, hot off of the success of Merantau, are back to bring you a bone-crunching, kick-ass martial arts film. If you went into The Raid cold, you’d never guess this was the case from the opening half hour or so, as there is very little, if any, martial arts at all during this time. It’s all police squads and machine gun fire, and while automatic weapons are always pretty damn exciting and entertaining, I was there for the punchy-punch.

There’s not a whole lot of story being told in The Raid, but that’s to be expected. The basics of The Raid are this: There’s an evil fucker on the top floor of a fifteen-story building. He must be taken down, along with all the other evil fuckers that he has rented rooms to in the building, not to mention his two evil henchmen fuckers. As one of the cops says during the opening scene, “Let’s clean up this city.”

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Merantau (2009)

Merantau (2009)
AKA Merantau Warrior

Starring Iko Uwais, Sisca Jessica, Christine Hakim, Mads Koudal, Yusuf Aulia, Alex Abbad, Yayan Ruhian, Laurent Buson, Doni Alamsyah, Ratna Galih

Directed by Gareth Evans

Expectations: High. Heard some great things. Also heard it’s bad. We’ll see.

Told simply, Merantau is one of the most impressive martial arts débuts of all time. Iko Uwais, a practitioner of Silat since childhood, busts out of nowhere in his first film and literally annihilates the competition. He’s no joke, and he’s easily the next big thing in martial arts cinema. Watching Merantau gave me the same feeling I had when I first saw Tony Jaa work his magic on-screen in Ong Bak. Uwais comes off as a combination of Jaa’s hard-hitting brutality and Jackie Chan’s playful, “grab your surroundings as weapons” style, and it’s a true joy to watch. He’s doesn’t seem as athletic as Jaa, or as inventive as Chan, but he is a great amalgamation of the two distinctly different styles. There’s nothing in the world like watching a master martial artist at work, and Merantau is filled with stunning, thrilling examples of just that.

The merantau referenced in the film’s title refers to our hero’s journey from his small village to Jakarta. It’s his merantau, or the time in his life when he must leave his village in search of enriching experiences and success. It is Yuda’s dream to teach Silat to others and he hopes to do just that when he hits Jakarta. He does teach some baddies just how badass and effective a martial art Silat is along the way, but somehow I don’t think that’s what he had in mind. In any case, not much info is given on what the merantau entails before it begins in the film, and not much is needed. From the opening scenes it is clear that it is a perilous journey, and one fraught with danger and intrigue. It is a journey that every man in the village must endure, and we as the viewer will undertake it without prior knowledge, the same as Yuda.

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