Quick Takes: The Dentist, The Dentist 2: Brace Yourself, Rise of the Legend

dentist_1The Dentist (1996)
threestar

Starring Corbin Bernsen, Linda Hoffman, Michael Stadvec, Ken Foree, Tony Noakes, Molly Hagan, Patty Toy, Jan Hoag, Virginya Keehne, Earl Boen, Christa Sauls, Mark Ruffalo, Lise Colleen Simms
Directed by Brian Yuzna

If there’s one thing that the majority of people hate, it’s going to the dentist. Now imagine visiting a dentist who just found out his wife is cheating on him, yanking away the last straw holding together his sanity. Sounds fun, right? Dr. Alan Feinstone has had a busy morning, so by the time he arrives at his office it’s a few hours late and the waiting room is full of eager patients. But he’s a professional, he can pull it together and get the job done. Or not. Feinstone’s lapse in sanity makes him kind of wig out when he’s looking at people’s teeth, seeing their mouths as festering maws of disease and decay in need of major restorative work. Corbin Bernsen is wonderfully deranged as Dr. Feingold, and the FX work induces so much intense mouth trauma that I felt like I was actually in the dentist’s chair myself. Especially effective are the large-scale models for the mouth interior closeups, allowing us to see every bursting root and tooth drilling in stunning detail. It’s not a perfect movie by any means, but it’s well worth a horror fan’s time.

dentist_2The Dentist 2: Brace Yourself (1998)
AKA The Dentist 2: You Know the Drill

twohalfstar

Starring Corbin Bernsen, Jillian McWhirter, Jeff Doucette, Susanne Wright, Jim Antonio, Lee Dawson, Wendy Robie, Ralph P. Martin, Clint Howard, Linda Hoffman
Directed by Brian Yuzna

The Dentist 2: Brace Yourself has what is perhaps the greatest, most pun-tastic sequel title of all time. The film doesn’t quite live up to expectations this brings, but it’s still a great sequel to the original film. While it continues to present a similar “festering mouths of bad hygiene must be punished” structure, the sequel actually goes off in a different direction that changes the tone. In the original film, Dr. Feinstone was progressively more and more batshit crazy, but in the sequel he has moments where we can sense the man underneath the madness. There are shreds of regret and thoughtfulness that endear the character, making you actually kind of root for him in this one. It’s not as effective a horror movie, but it is a great sequel that explores what makes the character tick.

RiseOfTheLegendRise of the Legend [黃飛鴻之英雄有夢] (2014)
threehalfstar

Starring Eddie Peng Yu-Yan, Sammo Hung, Wang Luo-Dan, Boran Jing Bo-Ran, AngelaBaby, Tony Leung Ka-Fai, Feng Jia-Yi, Byron Mann, Wong Cho-Lam, John Zhang Jin, Julius Brian Siswojo
Directed by Roy Chow Hin-Yeung

There’s a lot of modern filmmaking techniques (such as quite a bit of CG, some Matrix bullet time, etc.) that should make me not like Rise of the Legend, but damn if I didn’t enjoy the hell out of this movie. This is the first Wong Fei-Hung feature film since 1997’s Once Upon a Time in China and America, but you should really do your best to put Jet Li’s interpretation of the character out of your mind before beginning this film. This is not your standard Wong Fei-Hung, instead it’s like a prequel of sorts (in a different way than Iron Monkey), and this version of Wong Fei-Hung bears little resemblance to the folk hero we’ve come to know and love. Has Wong Fei-Hung ever decapitated a guy on-screen? Well… he does in Rise of the Legend (and it’s quite a stunning decap, too). The more recognizable character does eventually emerge in the third act, and with it my big goofy grin also came to the party. Even the Wong Fei-Hung song made an appearance! The action is fun to watch, with great choreography by Corey Yuen and some really incredible wirework in spots. It’s a very visually modern film, and parts of the fights are awkward because of this, but the choreography shines through to entertain handily. Eddie Peng is great as a young Wong Fei-Hung, and Sammo Hung is his stalwart, badass self as the villain. Tony Leung Ka-Fai (AKA Big Tony) also plays a wonderful Wong Kei-ying amidst a superbly well-cast film. If you dig Wong Fei-Hung, I say check it out!

The Man with the Iron Fists (2012)

the_man_with_the_iron_fists_2012Starring RZA, Rick Yune, Russell Crowe, Byron Mann, Lucy Liu, Dave Bautista, Jamie Chung, Cung Le, Daniel Wu, Zhu Zhu, Gordon Liu Chia-Hui, Andrew Ng, Grace Huang, Andrew Lin, Chen Kuan-Tai, Leung Kar-Yan, MC Jin, Pam Grier, Jon T. Benn

Directed by RZA

Expectations: Low, but hopeful.

twohalfstar


The Man with the Iron Fists is a strange movie, without a doubt. But I don’t think it’s bad; it’s more oddly misguided than anything else. What’s weird is that it feels this way based almost completely on how much RZA gets right in his homage to the classic kung fu films of the Shaw Brothers. Yes, “right.” The sets are magnificent and recapture the opulence of Shaw sets beautifully, the wirework is delivered with top-notch Hong Kong skill, and the story is filled with the wide range of colorful characters that any good wuxia demands. The weapons are suitably eccentric, and the battles are all well choreographed (by Corey Yuen), too. If you didn’t know any better, you might think that The Man with the Iron Fists was actually a Chinese production. RZA actually managed to resurrect the spirit of classic kung fu films, but — and this is where the “strange” comes in — the lens we experience all this classic kung fu goodness through is that of modern American filmmaking.

So because the film has so much good working for it, the bad sticks out and demands to be reckoned with in more apparent and frustrating ways than would otherwise be noticeable. The choice to film primarily in English is an expected one, but, at least for me, many of the actors sounded more like ’70s kung fu dubbing than actual actors in a scene. This could be bad acting, poor direction, or it could be by design. If it is intentional, that’s one hell of a bold choice for an unproven, first-time director making what is essentially a large-scale vanity project, but I wouldn’t be surprised if this was true. I’m sure RZA grew up watching the dubs that made their way to the States in the ’70s, and as a result has a nostalgic fondness for them. No matter what the reason, though, it’s off-putting, especially to someone like me that has never really grown fond of those iconic dub jobs.

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