AKA Knockout, Agent Mallory
Starring Gina Carano, Michael Angarano, Channing Tatum, Michael Douglas, Antonio Banderas, Ewan McGregor, Julian Alcaraz, Eddie J. Fernandez, Anthony Brandon Wong, Michael Fassbender, Mathieu Kassovitz, Bill Paxton
Directed by Steven Soderbergh
Why make the same tired genre film with the same tired genre conventions when you can do something different? This is essentially the Soderbergh manifesto, and he continues to display his ability to subvert the genre film with Haywire. I really haven’t delved deep into Soderbergh’s filmography, but I always think of his movies as either “the big A-Picture” or “the low-budget B-Picture”. He seems to like to bounce back and forth between the two, with the low-budget ones being somewhat experimental. His last released film, Contagion, definitely feels like the A (while still being somewhat daring and experimental), while Haywire definitely feels like the B. I don’t mean that as a slight in any sense, merely as a point of reference for fans that might be seeking a way to classify this somewhat hard to peg movie. The cast would suggest a giant ensemble movie, but it’s really much more reserved than that.
Gina Carano plays a black ops contractor tasked with rescuing a Chinese hostage in Barcelona. The job is a simple one, but as the film unfolds we find that there is more going on under the surface than it would appear. The film’s story is not told directly, requiring the viewer to piece it together themselves. It’s rather simple when you boil it down, but Soderbergh’s editing and somewhat fractured storytelling help it from getting too clichéd. On the flip side of that, the presentation of the story also gives the film an aloof quality that makes it hard to connect with. It’s not a spy picture, and it’s not a Bourne movie, but it is a bit of both. I just think that it’s in your best interest to leave any and all expectations at the door that this will be an action film, because in reality it’s something truly different.