I’m on a Podcast — Filmwhys #42 Rashomon and The Guyver

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It’s that time again! Bubbawheat from the superhero-centric Flights, Tights & Movie Nights was kind enough to have me on his show Filmwhys again, but this time on a “real” episode where we go one-on-one about a pair of movies. I think this is my best podcast showing yet, so if you’ve been waiting around this is the one to listen to. (Although I haven’t listened back to it yet, so I reserve the right to change my mind. 😛 )

We talked about the classic Akira Kurosawa film Rashomon, and the ’90s “classic” The Guyver. Yes, they are two of the most opposite movies you could find, which is why they perfectly represent my love of both ends of the cinematic spectrum. And if you want to be cheeky you could say that thanks to the success of Rashomon opening the doors to foreign cinema in the US, The Guyver (being based on a manga) is partially in its debt! So every time you see a questionable film/TV show based on a Japanese property, feel free to tweet about it with a #ThanksRashomon hashtag! 🙂 Anyway it was a good talk and a lot of fun. I also did not have time to write full reviews — or any reviews, for that matter — of these films, so if want my thoughts you’ll have to listen!

If you want to do that, I’ve embedded it below! If you wanna subscribe to the show or listen on a portable device you can head to iTunes, Stitcher, or PodOmatic (and for convenience’s sake those links will take you right to the respective Filmwhys page on each service). And don’t forget to throw Bubbawheat some love, too! Subscribe to the show if you like it and check out his site!

As always, I love feedback, so if you listen to the show let me know what you think! Thanks for listening!

A Look Back: Akira Kurosawa (1910-1998)

This is the third in a three-post series where I share my school reports from my first real film class, Film History. These were the first serious writings I did on film, and they offer a look back at the foundations that would eventually lead me to start writing reviews here at Silver Emulsion. I recently found them in a box while preparing to move, and I hope they are as entertaining to you as they are to me (they won’t be). These were written about twelve years ago during the Fall of the year 2000, when I was a spry nineteen years old. I will be re-creating the documents with the same formatting and images to the best of my abilities with the WordPress editor. Also, I’m leaving in any grammar errors or other things that I might want to change. It’s all about posterity and not falling into the George Lucas trap. Anyway, enjoy! Maybe.


Akira Kurosawa (1910-1998)

“I simply make a film as I want it to be,” Akira Kurosawa replied when asked why he shoots his films the way he does. It is this independence, this incredible cinematic vision, that has given Akira Kurosawa the nickname of The Emperor. His films not only inspire and teach but also entertain with top notch acting and visuals. Kurosawa never settled for second best and it comes through in every single one of his films, especially the three films I have chosen to focus on: Rashomon, Yojimbo, and Ran. These films were all pivotal to Kurosawa’s career, Rashomon made him famous, Yojimbo was his biggest commercial success, and Ran was the film that he felt to be his best. All of the films are set in the past, in Japanese history. As a student, Kurosawa was very interested in literature, especially Dostoevsky and Shakespeare, and the kodan, a story-telling entertainment where traditional samurai tales were told. Obviously, these interests molded themselves into the films Kurosawa made and shaped his style and vision into something the world had never seen before.

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