Starring Jeffrey Combs, Barbara Crampton, David Warner, David Gale, Una Brandon-Jones

Directed by Charles Band

Expectations: Very high. There’s no way it can live up.

On the general scale:

On the B-movie scale:

The Full Moon archive is home to many unreleased films. Back in the VHS days (and earlier), sometimes low-budget studios needed to create a killer poster before they shot the movie in order to secure the necessary funding. Many of these advertised Full Moon films were never produced, or were later assimilated into other Full Moon projects in some altered form. But in the case of Pulsepounders, Full Moon’s 1988 unreleased anthology film, the film was actually done shooting and in the can. Its legend had grown so large that it seemed that it would never see the light of day. But if it was done shooting, why was it never released? I always assumed it was some sort of rights issue, but apparently the negative was lost, never to be found. But hark! In 2011 a workprint VHS was uncovered deep in the dark recesses of the Full Moon archive, and Band’s team went to work to ready it for release.

As an anthology film, Pulsepounders consisted of three 30-minute segments: a sequel to Trancers (now affectionately known as Trancers 1.5), a sequel to Ragewar (which is the most interesting to me because Ragewar itself was kind of an anthology film), and, of course, The Evil Clergyman. This film was to be a spiritual successor to Re-Animator, a highly successful H.P. Lovecraft adaptation directed by Stuart Gordon (as if Re-Animator needs an introduction). There were times when I thought this ambitious project was lost to time, and there were other, more hopeful times when I imagined its illustrious, remastered release, but I honestly never thought it would actually happen.

Art for the original release of Pulsepounders under the title Time-Crash.

But it did and I hold it in my very hands as I type this. Wait a minute… OK, so it’s actually sitting near my hands as I type this, close enough. Anyway, enough hemming and hawing about the history and how much I wished on stars for its release, is it any good? The short answer is yes, the long answer is yeeeeeeeeeesssssssssssssssssssssssss. All kidding aside, it is good and it’s a real treat to finally get my hands on this one. While The Evil Clergyman does not recapture the same manic energy of Re-Animator, it does bring together three of the major cast members and it delivers the creepy, atmospheric tone of Lovecraft in spades.

The story is quick and to the point, dropping us into its tale without a shred of backstory. We quickly gather that Barbara Crampton is visiting the castle home of Jeffrey Combs, a clergyman who has recently killed himself. From here the story kicks off and we’re in for a ride quick and dirty as reality fractures before us. I’m a big fan of stories where things aren’t quite as they seem, and it’s not completely clear what exactly is going on, and The Evil Clergyman is great at this. This makes it a perfect film to re-watch, and now having watched it twice already, I can say that it definitely gets better with some foreknowledge of the events to come.

The workprint discovered was a rough edit, missing some sound work and a score, so Band commissioned his brother Richard Band to create a score in the style of his ’80s work. Richard Band has really outdone himself here, creating a score that encapsulates the haunted mood of the film perfectly. And it really does feel like one of his old scores too, so much so that I didn’t remember it was newly created until about halfway through the film. It sounds a bit like his score for The Alchemist, and as that’s one of my favorites of his work, I quite enjoyed his new contribution here.

As it clocks in at less than 30 minutes, I don’t want to spoil much of anything. Suffice it to say that if you enjoy the Empire International films, you’ll definitely enjoy this true gem from the archives. It may not have lived up to my wild expectations in full, but it’s a joy to watch Combs tell Crampton “Your body is my religion” and to see John Carl Buechler’s FX realize one of Lovecraft’s greatest creations, Brown Jenkin (AKA the rat with the man’s face). The DVD is currently only available direct from Full Moon, so go there and snap it up!

I should also mention that the DVD also features about a minute of footage from Trancers 1.5 which is set to be released next year! Spoiler alert: it looks fantastic!

No trailer, but here’s a clip!

Ahhhhhhhh yeah! Next week on Full Moon Tuesday, it’s the newly released Puppet Master X: Axis Rising! I haven’t watched a Puppet Master movie in a while, so I’m super excited!