The Valiant Ones (1975)

The Valiant Ones [忠烈圖] (1975)

Starring Pai Ying, Hsu Feng, Roy Chiao, Han Ying-Chieh, Simon Yuen Siu-Tin, Ng Ming-Choi, Sammo Hung, Hao Li-Jen, Lee Man-Tai, Yuen Biao, Yeung Wai, Lau Kong, Wu Chia-Hsiang, Chiang Nan, Chow Siu-Loi, Chao Lei

Directed by King Hu

Expectations: High. King Hu!


I enter each unseen King Hu film with equal amounts of trepidation and delight. I’ve loved every one of his films that I’ve seen, so I guess I’m worried that the spell will break and I’ll hit one that just doesn’t do it for me. The Valiant Ones is not that film; it’s a stone-cold killer of a movie. It’s a real shame that a film as good as this one is languishing in obscurity, but that’s how it goes. If nothing else, it allows me to dream of a future restored edition that will continue to raise King Hu’s status among fans of world cinema. No matter how low-res and full of video noise the old master is for The Valiant Ones, the power of King Hu’s filmmaking overrides it all to entertain as only he can.

The Valiant Ones tells a story of pirates and the chivalrous knights tasked with stopping their pirating ways. According to the film’s intro, Japanese ronin teamed up with bandits in the 13th Century to create fearsome pirate bands that tormented the land and sea. The Valiant Ones is set in the 16th Century, when the pirates had multiplied to the point that the government lost any kind of control over the regions they inhabit. There have been multiple attempts to eradicate the pirates, but it has always proved unsuccessful. Now a chief of a Southern clan needs to reach the capital and must be escorted through the pirate-infested land. For this task, General Yu Da-You (Roy Chiao) assembles an experienced team who are up to the challenge, including a husband and wife duo (Pai Ying and Hsu Feng) who are lethal and absolutely unstoppable.

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The Fate of Lee Khan (1973)

The Fate of Lee Khan [迎春閣之風波] (1973)
fateofleekhan_2

Starring Li Li-Hua, Pai Ying, Tien Feng, Han Ying-Chieh, Hsu Feng, Roy Chiao, Angela Mao, Helen Ma Hoi-Lun, Wei Pin-Ao, Wu Chia-Hsiang, Ng Ming-Choi, Lee Man-Tai, Chiang Nan, Woo Gam, Gam Dai

Directed by King Hu

Expectations: Super high. I’ve been very eager to continue exploring King Hu’s filmography for a while now.

threehalfstar


The Fate of Lee Khan is a fantastic film, hidden in the shadows of other, more well-known King Hu films. I’ve never heard anything about this movie, but yet it is an incredibly solid and effective piece of filmed martial intrigue. It’s similar in a lot of ways to Dragon Inn, but that is hardly a complaint. It is a true joy to watch as a world-class director returns to a smaller scale story after opening up the genre in ways previously unknown in A Touch of Zen. I need to re-watch Dragon Inn to confirm this, but it seems as if King Hu’s storytelling ability has matured a lot since that film, and the economy with which he delivers an intense, compelling story in The Fate of Lee Khan is a masterful achievement. The inn featured here is also a vibrant center of the region, as opposed to the desolate way station of Dragon Inn.

The film opens by setting itself in the context of history. Our story is set in the late 1300s, during the Yuan Dynasty established by the Mongolian leader Kublai Khan. The Chinese people, frustrated with political corruption and oppression, organized a revolt under the lead of Chu Yuan-Chang. But as we’re told in the intro, the war is not just fought on the battlefields, but also through the devious methods of espionage. Lee Khan is a powerful man in charge of the Yuan spy activity, and at the outset of the film his sister and trusted advisor manage to secure a war map detailing the movements of Chu’s forces. The rebel spies refuse to let the map go easily, so when word comes that Lee Khan is coming to the Spring Inn, forces from both sides gather there to decide his fate.

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A Touch of Zen (1971)

touchofzen_2A Touch of Zen [俠女] (1971)

Starring Hsu Feng, Shih Jun, Pai Ying, Tien Peng, Cho Kin, Miao Tian, Cheung Bing-Yuk, Sit Hon, Wang Shui, Roy Chiao Hung, Han Ying-Chieh, Man Chung-San, Sammo Hung

Directed by King Hu

Expectations: High.

fourstar


A Touch of Zen starts off innocently enough, but by the end of the film the viewer has journeyed through religion, the soul and the more standard martial intrigue you were probably expecting. It is a martial arts film wholly unlike any I’ve ever seen, coming years ahead of its time and eschewing nearly all the general ideas of entertainment that martial arts films are usually built upon. A Touch of Zen is a wuxia film with higher aspirations. It is a fascinating, pure example of film as art, and like any good work of art, true understanding only comes with extended thought and multiple viewings. This is the type of film that people spend their whole lives in awe of; its power to provoke thought while also engaging the more primal needs is unique and unparalleled.

A Touch of Zen is partially based on the story The Gallant Girl (or The Magnanimous Girl) from Pu Songling’s Strange Tales from a Chinese Studio, and it is here that the film draws its initial characters and setting. Ku Shen-chai (Shih Jun) is a scholar living in the derelict Ching Lu Fort. He studies not for wealth or status, but for personal gain and knowledge, much to the chagrin of his mother who thinks a man over 30 should be married and on his way to a lucrative career. Ku’s stall in the nearby town, where he paints portraits and does calligraphy, just doesn’t fit the bill in her eyes. So when a young woman and her elderly mother move into the nearby general’s mansion that has stood uninhabited for many years, Ku’s mother immediately thinks of joining the two families.

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To Kill With Intrigue (1977)

10_gkaals1004To Kill With Intrigue [劍花煙雨江南] (1977)

Starring Jackie Chan, Hsu Feng, Sin Il-Ryong, Yu Ling-Lung, George Wang Jue, Tung Lam, Ma Kei, Kong Ching-Ha, Chan Wai-Lau, Lee Man-Tai, Chan San-Yat

Directed by Lo Wei

Expectations: Moderate.

twostar


Coming off of one of the best early Jackie Chan films, here’s one of the worst! To Kill With Intrigue is one of the most convoluted and hard-to-follow wuxia films I’ve ever seen, saved only marginally by its grouping of fun, well-choreographed fights. The “intrigue” in the film’s title refers to the many needless and overly complicated plot points, but, y’know… To Kill with Needless and Overly Complicated Plot Points just doesn’t have that same je ne sais quoi.

And how will I sum up the gist of To Kill With Intrigue‘s plot into one paragraph? It’s just not possible, but the basics are: Jackie’s parents are murdered by the Killer Bees clan (is this where Wu-Tang got the name?), but just as Jackie is about to kill the one responsible, she outs Jackie’s father as the murderer of her parents! They spare each other, and thus begins a weird love/hate relationship that exists to further the plot where it shouldn’t be able to go, and also to overly complicate things (of course). Anyway, the real story is Jackie searching the countryside for his pregnant girlfriend who he sent to safety with his friend right before the Killer Bees attacked.

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