Jackie Chan: My Stunts (1999)

Starring Jackie Chan, Ken Lo, Bradley James Allan, Anthony Carpio, Mars, Nicky Li Chung-Chi, Rocky Lai Keung-Kun, Johnny Cheung Wa, Go Shut-Fung, Louis Geung Gwok-Wa, Sam Wong Ming-Sing, Chan Man-Ching, Alex Yip Choi-Naam, Jack Wong Wai-Leung, Huang Kai-Sen, Rocky Cheung, Andy Cheng, Ron Smoorenburg

Directed by Jackie Chan

Expectations: High.


It’s no secret that I hold the work of Jackie Chan in very high regard. A good portion of this respect and admiration directly stems from his style of action and his stunt team’s willingness to put aside their personal safety for the exhilaration of the audience. Watching an action movie is entertaining, but witnessing something real and dangerous takes the action film to a whole new level. Whenever I love something as much as this, I’m hesitant to dispel the myth and mystery surrounding it in any way. Jackie Chan: My Stunts actually made me appreciate the skill and dedication of Jackie and his team more than I ever could have before, something I didn’t even think was possible!

Jackie Chan: My Stunts is exactly what it sounds like: 90 minutes of light documentary focusing on the stunt/fight work of Jackie. How he trains, how he devises scenes, his tricks of the trade… it’s all here. And it’s all fascinating. Unlike a lot of “fluffy” behind-the-scenes docs on American films (whether that’s DVD featurettes or legit docs), Jackie Chan: My Stunts is almost like a handbook for anyone looking to make low-budget action films. I wouldn’t recommend piling up boxes on top of an old mattress and jumping out a second-story window onto them, but it does make these kinds of feats seem doable and attainable through perseverance and practice. The team’s accomplishments in the stunt field are absolutely incredible, but Jackie Chan: My Stunts reminds us that the members are but trained professionals, not superhumans.

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Police Story III: Supercop (1992)

PoliceStoryIIISuperCop_1Police Story III: Supercop [警察故事III超級警察] (1992)
AKA Supercop

Starring Jackie Chan, Michelle Yeoh, Maggie Cheung, Kenneth Tsang, Yuen Wah, Bill Tung, Josephine Koo Mei-Wah, Kelvin Wong Siu, Lo Lieh, William Duen Wai-Lun, Phillip Chan Yan-Kin, Mars, Sam Wong Ming-Sing

Directed by Stanley Tong

Expectations: Superhigh.

threehalfstar


Dimension’s US release of Supercop was the second Jackie Chan film I saw. I was 14 and it blew me away. Rumble in the Bronx made me an instant fan, but Supercop spiked me into overdrive. Not only does it feature Jackie Chan doing amazing Jackie Chan things like hanging from a helicopter’s rope ladder while it flies around a Malaysian city, it also introduced me to Michelle Yeoh. She easily holds her own against Jackie, and in many ways upstages him in his own movie! Re-watching the film amidst the context of my chronological review series provides a different context and understanding, allowing me to appreciate the film in new ways, but also allowing for some disappointment to creep in.

Police Story III: Supercop cuts right to the chase; the first scene can easily be summed up as, “We need a supercop!” This time it’s Interpol coming to the HK police in search for someone who fits the bill to catch an international drug lord named Chaibat. They don’t name names, but they would have to know Chan Ka-Kui’s record, no? In any case, it’s interesting that this kind of traditionally simple action movie writing also serves as an evolution of the Supercop character.

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Uncle Jasper reviews: Choy Lee Fut (2011)

Choy Lee Fut [蔡李佛] (2011)

Starring Sammo Hung, Yuen Wah, Sammy Hung, Kane Kosugi, Stephen Wong, Dennis To

Directed By Tony Law and Sam Wong


Like a German tranny after one too many drinks, Choy Lee Fut looks decent enough on the surface to get with. That is, until you get a little too close and realize beard stubble and the lingering scent of Vitalis underneath all of that pretty blush. I was pretty excited about this film when I first heard of it. I had convinced myself that the movie would do for the martial art of Choy Lee Fut what Ip Man did for Wing Chun. 90 minutes and about 500 ham-fisted, lip-bitingly bad clichés later, I have realized that unfortunately is not the case.

Sammo Hung stars alongside his son Sammy Hung for the first time IN MOTION PICTURE HISTORY! For shits and giggles, Kane Kosugi is thrown into the mix. I last saw Kane as a nine-year old ninja-in-training in his dad’s film Pray for Death. That was about 25 years ago but Kane still looks like that cherub-faced little kid toting around a plastic ninja sword while being threatened with a blowtorch by the mafia. Sammy is able to keep the train wreck moving forward well enough, but he desperately lacks the charisma and breadth of his legendary father (who shows up long enough for a Budweiser and a pat on the back).

Of all the characters in the film, Yuen Wah’s is the only one that carries more personality and screen presence than a block of wood. I was looking forward to seeing him and Sammo share the screen again after so many years, but their single fight scene is too short, too boring, and dripping in orange-tinted CGI that looks like it was ripped from the PlayStation 2 game God of War. Simply lame. I’m surprised that they even managed to round up the two heavy-hitters for this film, but paychecks will do funny things I guess.

Ex Jackie Chan stunt team leader Sam Wong, knowing that his movie is littered with shitty, uninspired choreography attempts to save it with confusing and bewildering editing that left me reaching for a roll of Tums when all was said and done. Even worse, most of the film meanders around in the realm of cut-and-paste melodrama and cheesy forced relationships to the point that there is very little time left for any Choy Lee Fut… Not a good idea when that is the name of your fucking film.

Also, what’s up with Sammy cradling his iPhone 3G and stroking its smooth, glassy surface like it was his first-born? I’m well aware that Apple shamelessly pimps its products out at every opportunity, but the product-placement here is especially blatant and should be condemned.

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