Starring Cornel Wilde, Patricia Knight, John Baragrey, Esther Minciotti, Howard St. John, Russell Collins, Charles Bates
Directed by Douglas Sirk
Sam Fuller’s stories are known for their interesting story hooks that immediately take hold of you and demand your rapt attention, usually defying what you generally expect a movie to be about. Shockproof is no different, and while I’m sure the finished film was diluted from his original draft, it still bears much of Fuller’s known style. The dialogue sparkles with his wit, and the premise is as “Sam Fuller” as any premise ever was; there’s even a character named Griff! The dilution does come with a price, though, as the ending is far too contrived and happy for the story that came before it. It’s not quite as bad as “…And it was all a dream,” but it’s definitely cut from a similar cloth.
Shockproof opens on Hollywood Blvd. A beautiful woman in black walks into a shop and purchases a new set of clothes. She also bleaches her hair blonde and soon emerges ravishing and ready to take on the world. We follow her into an office building, where she’s told by a secretary that the man she’s here to see is just behind the next door. Surely this is the beginning of a nice little film where the girl gets a quiet bookkeeping job for an executive and falls madly in love, right?