White Dog (1982)

whitedog_1Starring Kristy McNichol, Paul Winfield, Burl Ives, Jameson Parker, Parley Baer

Directed by Samuel Fuller

Expectations: Very high.


Racism is a learned behavior, but the interesting thing about the racism presented in White Dog is that dogs don’t see color lines. Late one night on a dark road, Julie (Kristy McNichol) hits a white dog with her car and takes it in. She falls in love with it, but soon she learns that the seemingly sweet dog is actually a “white dog,” trained specifically to attack black people. Fuller explored different aspects of racism throughout his career, and in White Dog, Fuller distills racism down to its core, vicious elements. There is no thought or human element involved in the dog’s decisions, he represents racism itself manifested as man’s best friend. But dogs are known for their capacity to learn, so the main drive of White Dog is whether or not this dog can be re-trained to accept black people as non-threatening.

If the core idea of White Dog seems somewhat outlandish and exaggerated, it is. Fuller uses melodrama and symbolism to skillfully tell his story, eliciting deep moments of thought and visceral response amidst what could also be described as a slasher film with a racist dog as the slasher. This bouillabaisse will definitely turn some people off, but for those willing to brave its depths, White Dog proves itself to be highly cinematic and deeply affecting. Fuller was always interested in pushing boundaries and confronting the audience with the harsh realities of the world that surrounded them, and the extreme moments of melodrama work perfectly to convey the stark themes of White Dog.

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Uncle Jasper reviews: Pray for Death (1985)

Pray for Death (1985)

Starring Sho Kosugi, James Booth, Donna Kei Benz, Norman Burton, Kane Kosugi, Shane Kosugi, Matthew Faison, Parley Baer

Directed By Gordon Hessler

Digging into the archives here at Silver Emulsion brought a staggering discovery to my attention. Although we have done our best to bring you reviews of classy motion picture entertainment on a regular basis, we are still far from perfect and definitely have a long way to go in our quest for celluloid gold. In our first six months we have covered a whole slew of classics but have sadly remained deficient in one of the greatest genres of film known to mankind. No I’m not talking about film noir, westerns, or Hollywood musicals. I’m talking fucking Ninjas! And when I’m talking fucking Ninjas, I am of course talking Sho Kosugi.

For those not in the know, Sho Kosugi is pretty much the Henry Ford of ninja lore. What child of the 80s could not remember begging mom and dad to buy a couple of those cheap ass plastic ninja swords in the supermarket toy aisle, banging them together with friends until they bent in half, sadly drooping along while they carried out stealth assaults? Who cannot remember the deluge of ninja related video games and TV shows at the time? That was all courtesy of Sho Kosugi and a little movie from 1983 titled Revenge of the Ninja.

Continue reading Uncle Jasper reviews: Pray for Death (1985) →

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