Stephen reviews: Project A-ko: Versus (1990)

projectakovs_1Project A-ko: Versus [A-ko The ヴァーサス] (1990)
AKA Project A-ko: Uncivil Wars, Project A-ko: Versus Battles, Project A-ko: VS, A-ko the Versus

Starring Miki Ito, Emi Shinohara, Michie Tomizawa, Saeko Shimazu, Hiroshi Takemura, Sho Hayami, Masami Kikuchi

Directed by Katsuhiko Nishijima


Don’t tell me you’re surprised that there’s another Project A-ko. You do remember my reviews of the Urusei Yatsura series, don’t you? Just ‘cuz it’s got “final” in the title doesn’t mean they stopped there. As with Project A-ko 4, I only have my likely incorrect guesses to go by for why Nishijima, director of the original film, came back to make Project A-ko: Versus. Whether it was intended to revitalize the franchise or if it was only ever intended to be a one-off side story is beyond me, but if it was intended to restart the series it failed. No more official Project A-ko projects were made except the American comic book adaptations and tabletop RPG (yes, A-ko was that popular in the States).

Versus is actually a mini series, not a movie, however it only spans two episodes, “Battle 1: Grey Side” and “Battle 2: Blue Side.” Together they tell a single story, so it’s easy to cover them both in one review. A-ko: Versus takes place in the distant future where A-ko and B-ko are friends who hunt giant turtles on Tatooine (or whatever the hell they decided to call the planet here), and neither of them have ever met C-ko before. C-ko is the daughter of a wealthy businessman, and she gets kidnapped by the series’ antagonists, space pirates that want to use C-ko’s body to resurrect Xena. No, that time I wasn’t pulling out a pop culture reference for ease of comprehension. Xena is a long-dead sorceress that has the power to destroy the universe, so it’s a pretty big deal.

Continue reading Stephen reviews: Project A-ko: Versus (1990) →

Stephen reviews: Project A-ko (1986)

projecta-ko_1Project A-ko [プロジェクトA子] (1986)

Starring Miki Ito, Emi Shinohara, Michie Tomizawa, Tessho Genda, Shuichi Ikeda, Asami Mukaidono, Daisuke Gori, Sayuri Ikemoto

Directed by Katsuhiko Nishijima


Thirty years ago Project A-ko took the anime industry by storm. It was one of the biggest names in anime, and thoroughly beloved by just about any anime fan in the ’90s. So now, for its 30th anniversary… well, pretty much nothing is happening other than me writing up this review. The franchise has been dormant for the past 25 years, and people seem to have just forgotten about the whole thing. I suspect there are vast swaths of younger anime fans who have never seen it, possibly never even heard of it.

This strikes me as strange. More than any other title, save for perhaps Akira or Ghost in the Shell, A-ko was the face of anime in the West. And if you ask me, I would say A-ko is a much truer definition of the art form. Akira and Ghost in the Shell were great films, no question about it, but they are the face of anime solely because they have mainstream appeal. People who don’t like anime often like those films anyway, because they don’t really represent what anime is like. Anime is about over-the-top absurdism, larger-than-life action, and exaggerated emotions which cannot be portrayed with live action; because human faces cannot actually contort like that.

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