To Rome With Love (2012)

kinopoisk.ruTo Rome With Love (2012)
AKA Bop Decameron, Nero Fiddled

Starring Alison Pill, Flavio Parenti, Woody Allen, Judy Davis, Fabio Armiliato, Roberto Benigni, Monica Nappo, Alec Baldwin, Jesse Eisenberg, Greta Gerwig, Ellen Page, Alessandro Tiberi, Alessandra Mastronardi, Penélope Cruz

Directed by Woody Allen

Expectations: Moderate, but I’m always thrilled to see a new Woody Allen film.

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I liked To Rome With Love more than Midnight in Paris. I thought Midnight in Paris was good and gorgeous and truly inspired, but it didn’t feel like a true Woody Allen film to me (not to mention that it wasn’t all that funny). That’s fine, as it wasn’t that type of movie, but in certain ways To Rome With Love is the Allen film I’ve been waiting for: a light-hearted, straight-up comedy with a distinct Allen feel. If I had believed the press about To Rome With Love, I would’ve missed out on an enjoyable film — good thing I never really cared about the press for Woody Allen films. To Rome With Love is filled with fun scenarios that lead to absurd bursts of hilarity, and while it is a little too unfocused between all its storylines, I didn’t much care as I was having so much fun.

Like many of Allen’s 2000s films, To Rome With Love is set in an iconic European city and it doubles as an incredible looking travel film. This time, instead of a single story, Allen decided to tell four unrelated tales. They never come together, and they never feel like they should. In fact, it’s clear that each one exists on its own timeline, as a couple of days go by in the Roberto Benigni timeline while only an hour or so passes for another of the stories. Odd as it may sound, this is never jarring at all. I do feel like the film is a bit overstuffed — perhaps three stories would have been smoother — but I’m at a loss to decide which one to cut. They all work together well in an abstract sort of way, and provide a lot of classic Woody Allen entertainment.

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The Social Network (2010)

The Social Network (2010)

Starring Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Armie Hammer, Max Minghella, Brenda Song, Rashida Jones, Joseph Mazzello, Rooney Mara, Dustin Fitzsimons

Directed by David Fincher

Expectations: None. It’s the Facebook movie.


If you’ve heard the hype surrounding The Social Network, and I don’t know how you would have avoided it, you will have heard that this is the movie of a generation. I can’t really argue against the sentiment of the statement as the film could easily be seen as such if you were so inclined, but I can wish that the movie of the generation was at least a little more substantial.

Yes, I said substantial. The main character here, Facebook CEO Mark Zuckerberg, is a one-dimensional immature caricature of a human and Jesse Eisenberg plays the character to a T. Eisenberg does a great job of making Zuckerberg look like a man devoid of any emotional response other than petty retaliation that he seems to unleash only incidentally in his quiet desire for acceptance from a girl. It works for the sake of the story Aaron Sorkin wanted to tell, but it does so at the mercy of the audience’s interest in the main character of the film, as he features no arc to speak of.

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Zombieland (2009)

Starring Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, Amber Heard, Mike White, Bill Murray

Directed by Ruben Fleischer

Expectations: Lowest possible. Modern zombie movies generally rub me the wrong way, but I’m stupid and I keep watching them.


This is not a zombie movie. I repeat, this is not a zombie movie. If you love traditional zombie films such as the George Romero classics, you are better off just re-watching one of those. From what the film shows us, hardly any zombies inhabit Zombieland. Most of the “excitement” coming from the fights and betrayals that play out between the male and female survivors. Even the apocalypse cannot settle the battle of the sexes. All kidding aside, this is absolutely the antithesis of what a good zombie movie should be. It is a stupid attempt at making a zombie comedy, but instead of being clever (like Shaun of the Dead) this just disappoints repeatedly.

Rarely is the survival of the characters an issue and therein lies the problem. Survival should be the main theme of any zombie tale because the zombie horde is ever-growing and as one of the last remaining humans you must constantly tap into the primal instincts of fight or flight. Your nerves fray as you know that sooner or later, you will become one of them. None of that comes into play in Zombieland. Sure, the main character has these survival rules he’s constantly telling the viewer about, but the rules are nothing more than fluff to draw your attention away from the almost complete lack of honest zombie danger.

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