The Silver Emulsion Podcast: Ep. 114 – Metropolis

This week on the Silver Emulsion Podcast, Stephen and I talk about Fritz Lang’s monumental silent masterpiece, Metropolis! Listen and enjoy! 🙂

Watch Metropolis along with us on Blu-ray, DVD, Amazon Instant Video or iTunes!

Also: the show is on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

Outro:

  • Pete Townshend – Meher Baba M4 (Signal Box)

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

Confirm or Deny (1941)

confirmordeny_2Starring Don Ameche, Joan Bennett, Roddy McDowall, John Loder, Raymond Walburn, Arthur Shields, Eric Blore, Helene Reynolds, Roseanne Murray, Stuart Robertson, Queenie Leonard, Jean Prescott, Billy Bevan

Directed by Archie Mayo

Expectations: Moderate.

threestar


Confirm or Deny is an interesting film because it’s so unique. It’s hard to classify as it’s kind of a thriller, it’s kind of romantic, and it also has an almost fly-on-the-wall, documentary-like feel in its depiction of the war correspondents working in London during The Blitz, a series of Nazi air raids on British cities during World War II. These air raids happened from September 1940 to May 1941, so with a release date in December 1941, Confirm or Deny was also quite the topical film.

The original draft of the story was written by Sam Fuller and star journalist Hank Wales (who, according to Fuller, was the basis for the Hitchcock film Foreign Correspondent). The two newsmen caught wind of the Associated Press offices getting bombed during the Battle of Britain, so they decided to write a film about newsmen doing everything in their power to get the news out despite these incredible, extraordinary circumstances. The finished film reflects a lot of this general feeling, although like all of Fuller’s early scripts, the studio heavily re-wrote Confirm or Deny to fit their desires more closely. I’m guessing they added the romantic angle, as it really doesn’t fit at all, nor is it very believable or romantic.

Continue reading Confirm or Deny (1941) →

Subscribe via Email!

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 79 other subscribers

Ongoing Series

Top Posts & Pages