Quick Takes: The Dead Zone, Rabid, The Brood

dead_zone_xlgThe Dead Zone (1983)
threestar

Starring Christopher Walken, Brooke Adams, Tom Skerritt, Herbert Lom, Anthony Zerbe, Colleen Dewhurst, Martin Sheen, Nicholas Campbell, Sean Sullivan, Jackie Burroughs, Géza Kovács, Roberta Weiss
Directed by David Cronenberg

Having just finished reading the novel, this re-watch of The Dead Zone was definitely a different experience than when I first saw this many years ago. I was struck by how episodic the book is, without any overt attempts to drive home big themes or large-scale payoffs in the third act. It’s a completely different style of writing compared to anything King had published prior, more character-driven and “small” (especially considering it was King’s novel published directly after The Stand). The movie echoes this structure, except it cuts about half of the book and condenses the rest into a very potent, but still weird and not-so-fluid film. Christopher Walken is a perfect choice for King’s everyman Johnny Smith, and the rest of the cast is well chosen, too. I can’t say that Martin Sheen really represents the Greg Stillson that’s present in the novel, but they changed his character some so it’s not hard to roll with it. It is Martin Sheen after all. As a Cronenberg film, it’s missing his unique, almost avant-garde approach to horror, but his cerebral nature fits well with this specific King tale. Definitely recommended, although I think reading the book first will make the movie a richer experience, as you’ll be able to fill in the blanks caused by the shift in medium, as well as spot the subtle details throughout that recall specific moments or scenes of the book not given their full due in the film version.

Rabid POSTERRabid (1977)
AKA Rage
threehalfstar

Starring Marilyn Chambers, Frank Moore, Joe Silver, Howard Ryshpan, Patricia Gage, Susan Roman, Roger Periard, Lynne Deragon, Terry Schonblum, Victor Désy
Directed by David Cronenberg

Rabid, on the other hand, delivers a healthy dose of sick Cronenberg body horror. Rabid opens with a motorcycle accident near a plastic surgery center, and our heroine’s injuries are too much to sustain travel to a hospital more equipped to deal with her issues. No, she’ll have to go into emergency surgery, and since this place is on the cutting edge of plastic surgery, her burns are repaired via skin grafts of morphogenic skin (which can form itself into any type of body tissue, depending on where it’s grafted). Things go awry — oh, do they! — and while Rabid is definitely too abstract and low-budget for many viewers to get behind, I found it to be riveting entertainment. Marilyn Chambers may be known for her pornographic role in Beyond the Green Door, but her turn here as our skin-grafted lead is fantastic. She definitely could have had a fruitful horror career if the fates had aligned. Rabid also features FX work by Joe Blasco, and while there isn’t a ton of it, what’s here is incredibly effective. I’m being vague because it’s really better to just see Cronenberg and Blasco’s creations for yourself and revel in their fucked-up, “I’m never going to forget that” nature. Definitely seek this one out if you think you’ve seen everything a horror movie can deliver.

the-brood-posterThe Brood (1979)
AKA Chromosome 3

fourstar

Starring Art Hindle, Oliver Reed, Samantha Eggar, Henry Beckman, Nuala Fitzgerald, Cindy Hinds, Susan Hogan, Gary McKeehan, Michael Magee, Robert A. Silverman
Directed by David Cronenberg

The Brood was Cronenberg’s horror follow-up to Rabid (the car movie Fast Company separates them), and it is a film of markedly better quality. Cronenberg’s signature cerebral tone takes center stage right from the opening moments, grabbing hold of your attention in a way that his previous films couldn’t quite manage. Where Shivers and Rabid feel like a good director finding himself in low-budget genre films, The Brood represents the dawn of a fully formed Cronenberg, ready to unleash the full range of his talents on an unsuspecting mainstream audience. The film is a very slow burn during its first half, though, and while it is always interesting I did find myself questioning if it should be classifies as a drama with horror elements instead of straight horror. It was right about at that point in the film when Cronenberg twisted the knife and the film never let up. It’s definitely a horror film! I’m sure some modern audiences would find the premise somewhat laughable or ridiculous, but I found it to be chilling and very psychologically engaging. I’ve slowly warmed up to Cronenberg over the last couple of years, but The Brood firmly cements my place as a big fan. I guarantee you’ve never seen a movie quite like this one!

Sam Fuller’s TV Work Pt. 4: Iron Horse – Banner with a Strange Device & The Red Tornado

Once again, I am back with another installment in my look at the television episodes directed by Samuel Fuller… but this is the final post! Not just of these TV posts, but for the entire Sam Fuller series! Instead of going out with a bang reminiscent of Fuller’s dynamic opening shots, we’re gonna go out with a whisper from a TV playing in the next room. I casually started reviewing Fuller films in 2010, so to finally finish everything off is a huge source of joy for me. I love Fuller, but I’ll be glad to be moving on to other things.


ironhorse_banner_1Iron Horse: Banner with a Strange Device (1967)
First aired: 02/06/1967

Starring Dale Robertson, Robert Random, Jeff York, Jorja Curtright, Dean Pollack, Anthony Zerbe, Brenda Benet, Roger Torrey, Tony Young, Robert Williams, Charles Horvath, Dean Smith

Directed by Samuel Fuller


Banner with a Strange Device is an episode that ditches the general Iron Horse format and focuses on the orphan Barnabas (Robert Random). The BPS&D train arrives in the town of Banner, where Calhoun has come to collect on a $50,000 wager he made with the namesake of the town, Big Jim Banner (Jeff York), that the railroad could reach his town before the first snow. They make it, but as soon as Barnabas steps off the train — to chase his pet raccoon that, as far as I can remember, hasn’t appeared in any of these Fuller-directed episodes — he is assaulted by a couple of dudes that think he’s a member of the Clayborne family.

Continue reading Sam Fuller’s TV Work Pt. 4: Iron Horse – Banner with a Strange Device & The Red Tornado →

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