The Deadly Knives [落葉飛刀] (1972)
AKA Fists of Vengeance
Starring Ching Li, Ling Yun, Lily Li Li-Li, Cheng Miu, Chen Yan-Yan, Chan Shen, Dean Shek Tin, Lau Gong, Goo Man-Chung, Chen Feng-Chen, Tang Ti, Lee Ho, Lee Wan-Chung, Lee Sau-Kei
Directed by Chang Il-Ho
Expectations: Low, but hopeful.
The Deadly Knives is about as standard as Shaw Brothers movies come. It has very little to set itself apart, and I doubt I will remember it in a few months. It’s still entertaining and enjoyable, but it’s just another heated revenge movie featuring the Chinese vs. the Japanese in the good ol’ Bruce Lee mold. Of course, there’s nothing wrong with that, but The Deadly Knives is kinda lazy in this way, and at times it almost feels like it knows it and doesn’t care.
The Chinese vs. Japanese struggle in this particular film surrounds a forest and the logging operation that resides there. It is owned by the Yan family, but this particular forest is strategically useful to the Japanese Army. A Japanese businessman named Mr. Ogawa (Cheng Miu) enlists the help of Mr. Guan (Tang Ti), a Chinese man who prefers money over Yan, his Chinese neighbor. Meanwhile, Yan Zi Fei (Ling Yun) and Guan Yue Hua (Ching Li) are returning home from college on the train. They are the offspring of the two Chinese families in the midst of this struggle, but are blissfully unaware as they talk about getting married. All they need is the approval of their families… so… clearly, this isn’t going to work out for them.
On top of this, when they return to their hometown, Yan Zi Fei and Guan Yue Hua find that the orphan taken in by the Yan family, Jiao Jiao (Lily Li Li-Li), is in love with Yan Zi Fei. But before you say “Love Triangle,” there’s also Xu Qian (Chen Feng-Chen), another orphan raised by the Yan family, who has been secretly in love with Jiao Jiao for a long time as well. So what’s that? A love square? You’d think with all this lovin’ goin’ around that The Deadly Knives would be more concerned with romance and resolving all the misunderstandings these secret crushes cause. The film instead chooses to use these crushes as motivation to push the characters forward into bad decisions, pulling the plot along with it. But like most Chinese vs. Japanese movies, it all boils down to the Japanese people being ruthless assholes influencing everyone.
Perhaps the one defining factor of the film is that it has a lot more nudity than your average Shaw film (at least at this point in time). There are multiple rape scenes, as well as a “mental undressing while masturbating” scene that leads to one of the attempted rapes. These scenes of sexual violence eventually lead to a really affecting pay-off scene late in the film, but they still feel a little too much like salacious padding.
But after the film ended, I had a thought. It’s also possible that the rapes are in the film for another reason. The Deadly Knives opens with a shot of a falling tree, the sounds of saws cutting it down to be shipped away via train. It is a beautiful natural resource controlled and used as the man in charge sees fit. The rape scenes that come during the film are of a similar nature, with the men who are seeking power via the forest trying to overcome and control a beautiful girl. Then the film ends with our hero’s revenge fulfilled (sorry about the spoilers for nearly every martial arts film!), but no matter what he did, he was unable to save the ravaged girl’s spirit.
Director Chang Il-Ho then closes the film by repeating the footage of the tree falling in the forest (this time showing multiple trees falling instead of just one), and then being bundled and sawed for transport. Coupled with the Chinese vs. Japanese struggle, it’s not too far out of the realm of possibility to see The Deadly Knives as a film with a message. Something like, “Our land is being raped by foreigners, and while we should fight against it where we can, it is inevitable.” On the surface, the film seems to be a standard revenge flick, but the more I think about it, the more I believe it to be a patriotic message, albeit one with a sadness and a depressing quality that doesn’t exactly rouse one’s spirit.
The action in the film is mostly chaotic brawls between tons of people and these were largely boring to me, even though the choreography was handled by none other than Yuen Woo-Ping and Yuen Cheung-Yan. The Yuens do inject some great moments here and there, most notably during the film’s first fight in a passenger train’s aisle, and later during a great tracking shot when Ling Yun gets ahold of a samurai sword about midway through the movie. With a better script and situations to work with, I’m sure the Yuens could have delivered excellent fights like they did in The Killer, but this is not that movie.
The Deadly Knives does a good job of providing melodrama and fight scenes, but neither of them are successful enough to make for a great film. The story is perhaps the weakest link, giving us a rather uninteresting lead character in a clichéd situation. Die-hard fans of the Shaw films will find things to enjoy, but all others would be better served watching a better film. Fans of Jackie Chan’s films with Yuen Woo-Ping will also enjoy seeing a young Dean Shek Tin in a comedic role here.
Next up in this chronological jaunt through the Shaw Brothers Martial Arts catalog is the Chang Cheh non-martial arts film, Young People, featuring David Chiang, Ti Lung and Chen Kuan-Tai! See ya then!
Just watched this, and you covered the bases well. It was interesting seeing a Japanese katana in the hands of a kung fu guy.
But what caught my attention was the smirking Japanese guy with a small pistol (the only gun in the film) that looked kind of familiar.
And then the hero, having been beaten up some, is holed up at some isolated house, practicing with throwing knives–using blowing leaves as targets. Nice visual. So that later he can use those knives to take away the edge of the bad guy with a pistol.
Yojimbo. Shaw Bros. ultimate revenge against the perfidious Japanese–they ripped off Kurosawa!
Well, doesn’t everybody?