Starring Ice-T, Grandmaster Caz, Afrika Bambaataa, Big Daddy Kane, B-Real, Bun B, Chino XL, Chuck D, Common, Dana Dane, DJ Premier, DMC, Doug E. Fresh, Dr. Dre, Eminem, Ice Cube, Immortal Technique, Joe Budden, Kanye West, Kool Keith, Kool Moe Dee, KRS-One, Lord Finesse, Lord Jamar, Marley Marl, MC Lyte, Melle Mel, Nas, Q-Tip, Raekwon, Rakim, Ras Kass, Redman, Royce da 5’9″, Run, Salt, Snoop Dogg, Treach, WC, Xzibit, Yasiin (formerly known as Mos Def)
Directed by Ice-T (with Andy Baybutt)
During Something from Nothing: The Art of Rap, the point is made that rap is not given the same respect as other American musical genres such as jazz and blues, one of the reasons being that people just aren’t listening to it the right way. This is a simple point, but it is a profound one. Something from Nothing isn’t about beats or bling, it’s strictly focused on the art of the rhyme. Rap is perhaps the most misunderstood of musical genres, but as time goes on, its effects and staying power will be undeniable. Like parents who told their children in the early part of the 20th century that jazz was the devil’s music, hip hop has been similarly derided. It’s an inherently more violent and vitriolic music, yes, but it’s a reflection of the streets that it originates from, and this power and honesty is what people respond to. Rap is a musical language like any other genre, and if you’re coming from a place where that type of music doesn’t immediately hit you viscerally, it requires a certain warm-up period to acclimate to it, just like jazz and blues before it.
And like rap itself, this film must also be approached from a specific vantage point. Something from Nothing: The Art of Rap doesn’t seek to chart the genre’s progress from street corners to Madison Square Garden, nor does it seek to illuminate newcomers on key tracks or albums they should pick up. Instead, the film focuses on what makes rap unique and intoxicating: the lyrics. And not just the lyrics, but the craft of writing those lyrics and the power they can possess. This is a movie seeking not only to paint rap as an art, but as a skill, and as such it’s going to play best to people inclined to write songs of their own.
But Something from Nothing: The Art of Rap is more than pointers for future stars, it also deftly sets up the genre and its foundational artists as craftsmen taking their viewpoints and their life experiences and utilizing them to shape their music. Previous generations had jazz, folk and the blues, but hip hop is the modern generation’s music of the people, and Ice-T’s film perfectly captures that fact in a film.
The structure of Something from Nothing is somewhat repetitive, but it never gets old (as long as you harbor some interest in the craft of lyrics). Ice-T meets up with rappers old and new to get their opinions on the art of rap, and their approach to songwriting. To me, this is where the directorial influence of Ice-T shows itself the most, as only a true songwriter would think to ask questions of this nature. Most people don’t give a shit about syllables and line structure, but these are exactly the answers Ice’s questions elicit, and they are exactly the answers he wants to get.
I had doubts that Ice-T had what it took to be a director, but only Ice-T could have made this movie. The film is informed by his knowledge of the genre, and by his firm entrenchment in its history. This could be the movie that people in future times look to for answers as to why rap is an art form. Or maybe that’s just me and my amateur desire to be a songwriter talking (I did a lot of that before I started this website). In any case, Ice does a stellar job elaborating his point through his use of interview footage with tons of rappers from both coasts.
Anyone who’s ever tried to crack into a new musical genre knows that — in most cases — you need a guide, a shepherd to lead you to the green pastures the genre can offer. In order to understand this new thing, you have to learn the intricacies of the music; you need to find your keystone to unlock this magical new world for you. For some, the art of rap is immediately apparent, as it speaks directly to them. But for someone coming from a different background, it always helps to have someone opening your eyes a bit. I’ve been a fan of hip hop since my days in elementary school, but I can honestly say that I never thought much about the skill and craft that went into the lyrics. Ice-T and the grandmasters of hip hop just schooled me, and it was dope.
Saw this a while ago and thought it was very interesting, although some of the artists didn’t get enough screentime (like Nas or Redman). During the Q&A afterwards Ice-T said he had so much unused footage, which he might be using for something else. Hope he’ll make a TV-series with it. Nice review!
Yeah they definitely blow through some of the interviews really quickly. Ice Cube got like 90 seconds! I can imagine how much leftover footage there would be from something like this. I’ll be keeping my eyes peeled for that. Thanks!
watched this a few weeks ago and really enjoyed it. I was pleasantly surprised by Ice-T’s direction. This is certainly worth a watch especially if you grew up listening to rap music.
Yeah it was better directed that I had expected it to be. And those helicopter shots of the cities were incredible. Some of the best I’ve seen.
I agree about loving the insight and specific focus that the doc offered but I also think that the breezy nature of the interviews hurt the film.
I really liked hearing how the artists approached things (especially writing/crafting) so differently. Like comparing how fascinated Eminem was with constructing complicated rhymes vs. Kanye who tried to simplify his lyrics. It reminded me of those roundtables The Hollywood Reporter does with directors/screenwriters/actors and how they describe completely different processes and methods.
Overall though, any doc that offers insight into how artists do what they do fascinates me.
Ice definitely rips through a lot of the interviews, but I think it was ultimately the right choice. If everyone got a major chunk of time, I think that the film would be a much less rich tale of the genre, with opinions and styles only coming from a handful of artists instead of the wide range that Ice gets here. And even still, there’s tons of artists who aren’t in the film. Trying to give validity to an entire genre of music, completely through the words of its artists, is a huge undertaking and I think Ice did a stellar job. It’s not a traditional doc, but I love it just the way it is.
I love those Hollywood Reporter roundtables as well! Always fascinating to hear everyone’s process.
Thanks for coming by and commenting!