This is the second in a three-post series where I share my school reports from my first real film class, Film History. These were the first serious writings I did on film, and they offer a look back at the foundations that would eventually lead me to start writing reviews here at Silver Emulsion. I recently found them in a box while preparing to move, and I hope they are as entertaining to you as they are to me (they won’t be). These were written about twelve years ago during the Fall of the year 2000, when I was a spry nineteen years old. I will be re-creating the documents with the same formatting and images to the best of my abilities with the WordPress editor. Also, I’m leaving in any grammar errors or other things that I might want to change. It’s all about posterity and not falling into the George Lucas trap. Anyway, enjoy! Maybe.

Dancer in the Dark
A film by Lars Von Trier

Dancer in the Dark is not a film for everyone. It’s tone is dark. It’s all handheld digital video. There aren’t any big name stars in it. And it’s a musical. Any one of these factors would turn most mainstream people off to this film, even before stepping foot into the cinema. But those people that never see Dancer in the Dark will be missing out on what I feel to be the best new film I have seen this year.

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