Starring Jackie Chan, Amber Valletta, Madeline Carroll, Will Shadley, Alina Foley, Magnús Scheving, Billy Ray Cyrus, George Lopez, Katherine Boecher, Mia Stallard, Maverick McWilliams, Quinn Mason, Lucas Till
Directed by Brian Levant
Expectations: I don’t expect much at all.
I don’t know what I expected this movie to be, other than the reasonable assumption that it’d be another in a long line of Jackie Chan spy movies. When the movie began with a montage of old Jackie Chan spy movies, I was surprised and taken aback. Why would a movie open with a montage of movies that it has no chance of matching? But as the story of The Spy Next Door developed, this opening actually makes a lot of sense. By opening with the old, amazing clips, we see how Jackie has defended the world against insurmountable odds throughout his career; he is an indestructible machine capable of taking on literally anything the villains can throw his way. But one thing Jackie has never had to contend with on-screen is the more mundane, everyday task of managing a family and earning the respect and trust of potential step-children. So while this is “another Jackie Chan spy movie,” it is unique among the bunch.
Jackie plays Bob Ho, international spy on loan to the CIA and living life undercover in New Mexico as an importer of pens. His neighbor and main squeeze is Gillian (Amber Valletta), a single mother of three: seven-year-old Nora (Alina Foley), 10-year-old Ian (Will Shadley), and teenager Farren (Madeline Carroll). Bob and Gillian’s relationship is getting serious, and Bob wants to finally divulge his true profession, retire and begin a new life with Gillian. But because it’s a movie, he’s interrupted by an urgent job which complicates matters, and before you know it, Bob is tasked with caring for the three kids on his own while a group of Russians hunts him down.
Despite its title, The Spy Next Door is a unique movie in Jackie’s filmography. The film was not a big success, but I’d say that an American studio taking a chance on a family comedy with Jackie as a romantic lead in an interracial relationship is something to commend. The focus is never really on Jackie’s physical abilities, either, which allows him to act both comedically and dramatically to carry the film and win over the hearts of the audience and his potential step-children alike.
Next up in this chronological journey through the films of Jackie Chan is 1911! There’s a few movies in between, but I’ve already reviewed them! See ya then!