Starring Nana Mizuki, Kenji Nojima, Ai Hashimoto, Hiroshi Kamiya, Yūichi Nakamura, Yuki Kaji, Kana Hanazawa, Yuko Kaida, Jun Fukuyama, Masumi Asano, Junichi Suwabe
Directed by Naoyoshi Shiotani
Blood C is the latest version of the Blood franchise which started with Blood: The Last Vampire. The Blood franchise is an odd one in that every installment seems to be a complete reboot of the series, which makes this film unique in being the only one to actually be a sequel. The Last Dark follows the TV series of Blood C, but it stands on its own fairly well. The only really important fact you’ll be missing is that the main villain, Fumito Nanahara, used to be a father figure to Saya before he betrayed her.
The Blood franchise started as an action/horror film, but it has evolved over the years to lean more closely to the action side and now has very little horror to it. The biggest horror element that The Last Dark has is in the opening sequence on the train, which is really more of a homage to the opening scene of the original Blood: The Last Vampire. The film does still have its share of big creepy monsters. In fact, they are bigger and creepier here than in any of the previous incarnations of the franchise. However, they are never dealt with in a horror fashion. Instead they are just oversized enemies for Saya to get into a huge brawl with.
This film blends aspects of the previous incarnations of Saya. As with the other two films, Saya is a brooding killer, wearing the same school uniform that has been her iconic costume since the original film. But it also draws from the TV series concept (from both Blood C and its predecessor reboot Blood+) of Saya as a typical, happy teenage girl who finds out that she’s actually a vampire who lost her memories. As a sequel to the TV series, though, The Last Dark keeps Saya’s cheerful past mostly in the background and portrays her as the antisocial angry lunatic that she became later. She’s out for vengeance against all the crap that happened to her in the series, and now she’s on the hunt for Fumito, who had been using her all along.
As Saya’s quest takes her to Tokyo, she runs into a gang of meddling kids. And just like the gang of Scooby Doo, these kids are trying to unravel the mysteries of all the crazy monster sightings going on around town. The kids are mostly computer hackers, and they help out Saya by finding out where Fumito is hanging out.
The action itself is pretty decent. It’s nothing that stands out as fantastic, but it gets the job done well enough. Somehow it just lacks a sense of urgency, which keeps it from being all that memorable. The film as a whole can get a little slow at times, too. Much of the plot revolves around one of those teen hackers named Mana who desperately wants to be Saya’s best friend, so there are a lot of scenes of the two girls bonding, which mostly consists of Mana trying awkwardly to engage in conversation despite Saya’s strong silent schtick. These scenes were a tad bit over done, and kinda reached the point of giving off a lesbian vibe.
Though clearly weaker than the original film, The Last Dark still has its moments. These moments are rather balanced out by the bad CG, but that still leaves a film that is on the whole a middle-of-the-road affair. It’s fun, but not enough fun to make it a must see.