Starring Danny Lee, Terry Lau Wai-Yue, Wang Hsieh, Lin Wen-Wei, Bruce Le
Directed By Hua Shan
LASERS! EXPLOSIONS! PEW, PEW, PEW!!!!!
This is a definite oddity in the Shaw Brothers catalogue. Every now and then the Shaw Studios would greenlight a project that had absolutely nothing to do with flying swordsmen, Shaolin monks, or rival kung fu schools. It didn’t happen often, but when it did the results were almost always amusing. You have unforgettable gems like their attempt at remaking King Kong with 1977’s Mighty Peking Man (expect a review of that one in the near future) and their genuinely twisted foray into the world of horror films with 1975’s Black Magic.
The Super Inframan stands right alongside those wacky classics in what would be the first Chinese superhero film. Viewers will instantly recognize the inspiration drawn from old-school Japanese tokusatsu heroes like Ultraman in this one. You have epileptic-inducing transformation sequences, anatomically implausible rubber monsters, loads of ’70s transistor-laden techno babble, and lasers… a whole shitload of lasers. But this being a Shaw Bros. film you get the added bonus of Tang Chia-choreographed kung fu fights, which although far from his best work, are actually the best you’ll probably see by a bunch of guys in 100-pound rubber monster suits.
When an evil, whip-crackin’ ice age princess named Elzebub awakens on Mount Devil (don’t bother trying to find that shit on Google maps, I already tried) and starts raining hellfire and fury down on Hong Kong, a team of kung fu fighting science guys are called into action. The head professor calls his lead pupil, Rayma (played by The Killer’s Danny Lee) down into his secret lab to show him his lifelong work – the Inframan Project; a human volunteer with extraordinary abilities would be augmented with wires, capacitors, biological hormones and bionic implants to create the ultimate weapon. Without hesitance Rayma volunteers for the project and work begins. What follows is a simply awesome sequence detailing the transformation process as Rayma has all kinds of crazy shit clamped and wired to his arms and huge syringes of food coloring are squirted into his body.
But Elzebub has some secret weapons of her own and let me tell you, once I saw all of these fucked up spider-lobsters, slinky-headed robot warriors, devil-horned hairball creatures, and tentacle-growing plant monsters I was nearly shitting my pants in pure ecstasy knowing that I would get to see Inframan fight each and every one of them. Too often, these films tend to skimp out on the monsters, instead hoping to dole them out over the course of several films. But not this time… there are literally at least a dozen of them, plus the requisite cannon-fodder henchmen.
The Shaw Bros. are already well regarded for their beautifully detailed set design. This film features hands-down some of the best work they have ever done. I am a sucker for crazy-ass science labs, and this is by far one of the best I have ever seen. You have the obligatory wall of bright buttons and steaming test tubes, but you also get a cool rotating control panel and glowing orb things all over the place. The best is saved for Elzebub’s Mount Devil headquarters though. Her and the monsters pal around in a secret cave that resembles a hollowed out dragon head, inside are giant skulls and a serpent headed fountain that spills water into a steamy pool.
You definitely can’t go wrong with this one. For those of you who admire the Shaw Bros for their kung fu films, be sure to add this one into your Netflix queue. You’ll find out soon enough that they were much more than a one trick pony.