AKA Mikadroid: Robokill Beneath Disco Club Layla, Mikadoroido
Starring Hiroshi Atsumi, Sandayū Dokumamushi, Yoriko Dōguchi, Kenji Hayami
Directed by Satoo Haraguchi & Tomo’o Haraguchi
It’s time for some B-movie shlock, my friends. This time it’s coming from me instead of Will, which also means it’s coming from Japan. Actually, I’m still kind of amazed that anyone bothers to make US releases of Japanese B-movies, but here we are, so we might as well make the most of it. And while Mikadoroid is something of a mixed bag, there is definitely enough crazy shit to make a snack out of, if not a full meal, for any B-movie fan.
The film starts off with some cool black and white scenes set in World War II, punctuated by still shots for dramatic effect. This part of the film is actually pretty good as it explains that Japan was working on a cyborg super soldier experiment that might have turned the tide of the war (which I am going to assume is the titular Mikadoroid, not that the film ever says so). But as resources grew scarce, the government decided to cut off funding and shut the project down. But of course, there was one finished prototype that got locked away in the secret lab. Queue the plot of the film, as that prototype wakes up 45 years later to wreak havoc on an unsuspecting underground parking lot. Alright, I’ll admit that with the American title of Robokill Beneath Disco Club Layla I was hoping for more of a rampage inside the disco club, not in its parking garage, but I suppose I have only myself to blame as the title was completely accurate.
After that awesome intro got me pumped for some kick-ass cyborg action, it was time for the movie to let me down with an unnecessarily long introduction to the protagonists of the film. Don’t let that fool you into thinking that there’s any depth of character, though. These people are as one-note as the Mikadoroid that never utters a single line of dialog. There’s really only two major characters here: a hapless electrician who gets called out on a late-night repair job, and a haughty woman who exists to be the clichéd hysterical dead weight of this movie. There’s also a couple of guys who were part of the original experiment who swing by to add some more gunfire to the mix, but they are sadly underutilized.
As much as Mikadoroid wastes time not delving into its characters too deeply, things take a decided upswing once we finally get to all that robokilling we were promised. The Mikadoroid kills people in some incredibly fun and ridiculous ways, using cool shadow silhouette shots that neatly circumvent the film’s low-budget gore FX. (Low budget aside, someone still scrounged up the cash to make toys of the damn thing.) The best is when it whips out a samurai sword and starts hacking up a helpless woman, over and over again, somehow ripping off all her clothes in the process. There are also no injuries on the woman at all, though she is covered with blood as if it were body paint. That might not sound all that incredible, but trust me, words do not do justice to the event as it plays out on-screen.
Mikadoroid can be pretty dumb, and it can be pretty slow. But if you’re a B-movie fan you’re probably used to that, and if you’re willing to wade through the less enjoyable parts, there is some really great stuff buried in here.