AKA Once a Hero
Starring Richard Dix, Fay Wray, Victor Kilian, Franklin Pangborn, Charles Arnt, Granville Bates, William B. Davidson, Arthur Loft, Edgar Dearing, James Donlan, Bill Burrud
Directed by Harry Lachman
It Happened in Hollywood may be the title that this film released with, but the film’s original title of Once a Hero (which for some reason is the on-screen title featured on the DVD release), is much more apt to describe the work at hand. Sam Fuller called this film his “first real screen credit,” and while it eventually led to bigger and better things for Fuller, It Happened in Hollywood feels like it contains even less of a Fuller influence than Hats Off did. But that’s OK, as this one is a much more cohesive and enjoyable film overall.
Like a great many films throughout the ages, It Happened in Hollywood is about a silent film star that has trouble making the transition to talkies. Unless I’m forgetting something major, this is the earliest film I’ve seen to use this somewhat common story framing device. I suppose this could be linked to Sam Fuller’s effervescent love of focusing on things relevant and topical before other filmmakers jump on the bandwagon.
It Happened in Hollywood isn’t especially emotional — the tone shifts subtly between very slightly comic and equally slightly sad — but it does offer some depth beyond the rather simple story going on at the surface level. Of course, the most interesting aspects relate to the events around the final act of the film, so for those who haven’t seen the film and care to: SPOILERS AHOY!
Late in the film, Billy has come to visit Tim. Tim hasn’t the heart to tell Billy that he’s not in movies anymore so he rounds up a bunch of celebrity look-a-likes and does what Hollywood does best: create a grand illusion. But as this scene went on, I wondered if Tim was actually doing it for himself. When Tim’s old girlfriend Gloria (Fay Wray) comes to the party, he actually shuffles the kid off without a second glance. He doesn’t truly care about Billy, he only cares about preserving his image in the kid’s mind. This is further proven when Tim and Gloria sit in the grass and discuss trivial matters, even playfully bantering about which of them might take care of young, sickly Billy. But in actuality, no one at the party actually cares. They are all self-centered actors. Billy is left alone, so he tries to fulfill his cowboy dreams by riding a horse for the first time. Of course, he hurts himself and Tim comes to his rescue.
But the damage was done. They can play the film off as a rise-fall-rise yarn of the Hollywood star — which it most definitely is — but this “Actors care more for their image than actual people” angle is far more interesting. I had hoped to find some clue in Fuller’s autobiography that this was his original intent with the script, but alas he makes no such claims. Even so, I must imagine that Fuller got a kick out of writing such a scene, as it feels like exactly the type of in-your-face social commentary that Fuller thrived on. This great scene of subtext also leads to a fantastic, unexpected conclusion when Tim feels the weight of responsibility thrust upon him.
It Happened in Hollywood isn’t a great movie, but it’s a fun little jaunt into 1930s Hollywood. It’s not quite as emotional or interesting as I’d have liked, but its mix of Hollywood-based satire and genuine entertainment works rather well to make for a brisk 67-minute feature. Sam Fuller fans could easily avoid this one, but if you enjoy ’30s cinema and you’ve seen all the heavy hitters, It Happened in Hollywood is enjoyable enough to be worth your time.