Directed by Sam Liu
Another comic book adaptation, All Star Superman also carries over the visual style of its original artists, this time Frank Quitely and Jamie Grant. The look isn’t as striking as Public Enemies, but it’s still noticeable. They improved the animation a bit, but not so much the CG. This give and take makes it balance out about the same.
The film is a throwback to the olden days of comic books. All the crazy plot devices from comic’s Golden Age are brought back without shame, and that’s exactly how you’ll need to take this film. It’s full of harebrained events like an army of reptile monsters from the center of the Earth, Superman’s house key which was carved from a dwarf star and weighs half a million tons, or the audio book reader that Lex Luthor uses to dig a tunnel out of prison by reciting literature at incredibly high-pitched frequencies. Anyone who loves the good ol’ days of comic books will find tons to love about this film.
If this kind of implausible campy fun makes your eyes roll, however, then you aren’t going to enjoy this much. But I say to those people: Superman is an alien who conveniently looks exactly like a human and gains incredible superpowers from sunbathing. How can you whine about having a serious storyline when his entire concept is absurd? This film imagines the wild excesses of the Golden Age as half homage, half modernization, half philosophical musing, and a hefty dollop of parody. Nowhere outside of an anthology of old comic books will you find so many improbable plot devices in one spot than here.
There’s a lot more thought going into these events than is immediately apparent. Even the title itself is more appropriate to the plot than at first glance. Stars, the sun in specific, tie into the plot in a big way. At the beginning of the film, Superman gets a little too close to the sun and absorbs too much energy. It makes him even more powerful than before, but that power is more than he can handle, and his cells start to self-destruct from all that energy. Superman is dying. The film is less an action/adventure tale than it is a character study of the Man of Steel in his final days.
That character is one of calm acceptance. In fact, Supes is not very concerned about much of anything. The dude is as chill as his own ice-breath. Even when some Kryptonians show up and break the moon, his reaction doesn’t have much emotion. I can understand that when it’s almost impossible to hurt a guy, he might stop worrying about stuff, but I couldn’t help thinking they took it a bit too far. Especially since the plot is a rather scattered collection of events. The combination winds up making the film go about as fast as water flows uphill. There’s a lot to entertain, but there doesn’t seem to be any connecting thread until the end, and even that connection requires some contemplation. You’ll spend most of your time wondering where the hell this film is going.
So the film does have a few problems. I still had a good time with it, though. People who want a modern, no-nonsense, non-camp superhero action film are going to be very disappointed, but if you are a fan of the bygone era of comic books that were all about pure, unrestricted fun, then there’s a lot to love about this movie, even if it does stumble a few times along the way. Besides, it’s not like those old comics never stumbled either. So take Superman’s attitude. Just sit back, let it roll on by, and enjoy the fun for what it is.
