Starring Junko Iwao, Rica Matsumoto
Directed by Satoshi Kon
This film worms its way under your skin and never comes back out. I knew this going into it, since I saw it back when it first came out, and its haunting tone and disjointed worldview have stayed with me ever since. In fact, I watched it at least three times back then and spent a good deal more time skimming around the last half trying to figure out just what in the hell was going on. I never really did. It’s one of those movies that really deserves the phrase “mind bending.” This time though, I think I finally got it. My sense of the surreal and the strange has been honed over the past decade. I wasn’t really ready for it as a teen, but I am now.
It’s difficult to sum up the nature of this film. While looking for horror anime to review for October, I noticed this film on someone’s top 10 list of horror anime. This surprised me, and never would have occurred to me normally, but after some thought I realized it was true. If movies ever scared me, this one would have given me nightmares. It can be called a slasher film, but it doesn’t have the body count necessary for a slasher film. Nor is it a mystery, since there is no single villain, and even at the end it’s arguable who killed who. It’s really a psychological thriller about a woman slowly going insane.
If all there was to worry about was some stalker going on a killing spree, I might have gotten tired of it. But where the movie really hits its stride is when Mima begins hallucinating. She keeps seeing an image of herself that berates her for switching jobs when she loved singing so much. The image dances around her while remaining tantalizingly out of reach, bounding around and through objects while Mima chases after.
As the film goes on, her hallucinations worsen, and the film does a magnificent job of conveying the impending fear and paranoia that engulfs Mima, especially with the scene shifts. It constantly twists your expectations when starting a new scene. My favorite being when one character is attacked, and the scene immediately cuts to a car trunk slamming closed, but not the car of the assailant which you might expect. It’s a completely different group of people who have nothing to do with the assault.
It would be too easy to just shrug off the film’s confusion as hallucinations that never actually happen. There’s a logic at work here, and the first time I saw the film I took it too realistically. I wanted the movie to make sense in a realistic way, but it has as much fantasy as anything. Now that I can see that, I found the film makes a good deal more sense this time around. That doesn’t mean that I’m certain of my conclusions, or that someone couldn’t come to a different answer and have good evidence to back up their arguments.
This is definitely a film for people who like to think about their movies and dissect them for answers. That type of story can annoy me if I feel that there are no answers to be found, but I felt that Perfect Blue does have answers buried inside its twisting maze of a story. Anyone who wants everything explained by the end is probably going to be more annoyed than entertained, but if you like a good thought-provoking story, then Perfect Blue is a riveting experience and well worth tracking down.