Directed by Ernie Barbarash
Expectations: Low, but higher than I had for the second one.
On the general scale:
On the B-movie scale:
Jesus Christ. Are the events of Cube Zero really what was going on behind the scenes this whole time? My mind simply cannot comprehend this fact, and as soon as this review is over I’m going to do my best attempt at a home lobotomy to forget everything I stored in my short-term memory about the film; I’ve got a wire hanger all ready to go. This film is a case-in-point example of why things shrouded in mystery will always trump an explanation. Despite some valiant efforts on the filmmaker’s part to resurrect the spirit and visuals of the original film, Cube Zero is a total dog of a movie.
But this wasn’t always my opinion. Cube Zero starts off incredibly strong, delivering one of the best trap kills in the entire series, bested only by the first film’s opening kill. The kill here is acid in nature, but instead of the quick face-melt like the one in Cube, this is some kind of slow-burn acid that the victim first thinks is water. Lulled into a false sense of security, the guy drinks as much of the liquid as he can suck off his drenched fingers, only to eventually notice his deteriorating skin and realize that yes, indeed, he has sprung a trap. What follows is one of the best full-body, skin-peeling disintegrations I’ve seen in a film. It’s truly a thing of beauty.
Jax is a guy with one eye, who apparently works for the people that run the cube, and his character is awful. He’s so over the top that at times I felt like I was watching an episode of the Power Rangers. Y’know those rub-your-hands-together-and-cackle-wildly villain’s lair scenes in Power Rangers? Jax’s scenes feel just like that. And I don’t mean that in a “they’re a lot of fun” sort of way either, because those scenes in Power Rangers are fun as shit. Here they’re just ridiculous and mind-blowingly stupid. I’m almost completely at a loss for words.
The production feels like it’s a bad TV movie, like something produced for the Syfy channel but with a bigger FX budget. There are some interesting filmmaking techniques used throughout though, and I especially liked how they played with the lighting during the dream sequences, creating a bleed of light that streaked across the screen. I don’t know that it accurately portrays what dreams look like (at least not mine), but it does create a striking, memorable image and that’s the most important part in a movie, no?
And in spite of my general hatred of most of this movie, I must give the filmmakers credit for not using the “I worked on the Cube” reveal that the other films (especially the second) kept returning to. It’s a welcome respite, but not nearly enough to make me forget about everything else I hated about this film.
If you’re already two cubes deep in the Cube series, I’d advise just staying pure and avoiding this one. Of course, there are lots of people that enjoyed this film, so you might want to watch it anyway, in spite of my warnings. And besides there are those great moments of gore, which are arguably good enough to warrant watching this if you’re into such things. Oh God, what am I saying? Am I actually cautiously recommending this movie that I despised? What’s wrong with me? Who are you people? What have you done to me? What happened to the lights? Where am I? The cube? AHHHHHHHHHHHHH!
Cube Zero was a Reader’s Choice selection from Rodney of Fernby Films.