Starring Yukie Kawamura, Takumi Saitō, Eri Otoguro, Sayaka Kametani, Jiji Bū, Kanji Tsuda, Eihi Shiina
Directed by Yoshihiro Nishimura & Naoyuki Tomomatsu
This movie is insane. I just want to put that out there so you know what you’re getting into, because even more than the title bout, pure insanity is the defining trait of this film. And it lives up to the title right away. The opening scene has Vampire Girl take on not one, not two, but three Frankenstein girls simultaneously. This battle is mostly a promise of what’s to come during the main event, which won’t happen until the end of the film, but when one of them gets her face ripped off like an unraveling toilet paper roll, you know some crazy shit is going down.
That brings me to the most plentiful feature in the movie: gore. People are getting ripped apart all over the place. This is a modern B-movie, so you have to expect some lame CG effects, but Vampire Girl uses them more as a crutch than a wheelchair. The CG is used a lot, but much of the stuff is done the old-fashioned way as well. They never hesitate to fill a fake skull with fake gore and wrap fake skin around it for the more elaborate mutilations, and they even put in a good exploding head. It all looks pretty fake, but it’s not played for excitement or scares; it’s played for laughs. The kind of laughs that can only come from watching a girl dance in a shower of blood spouting from a man’s neck while celebratory background music fills the air.
Another tone mismatch is the sexy school nurse who assists the doctor (who dresses like a kabuki actor while experimenting) in his quest to revive the dead. Like the gore, the sensuality isn’t really meant to titillate, it’s there to laugh at. The line “You’re being too erotic” really has no business taking place in Frankenstein’s lab. But after she puts on a sexy dance during a limb severing montage, you have to admit it’s true.
Most of the plot revolves around the two elements of vampire love triangle and mad scientist experiments until they collide at the end in the title battle. It’s one hell of a showdown, and never lets up on the crazy. The hunchback janitor shows up wielding a spinal cord and ribcage while wearing samurai armor crafted from human bones and an assortment of brooms. Frankenstein Girl detaches an arm to use as a boomerang somehow (don’t question it). And the makes-no-sense action only escalates from there.
The second club is, if possible, even stranger than the first. It’s the super dark club, where Japanese girls use special makeup to look like black girls. And like everything else in this movie, it’s done to an absurd degree. It’s taken to such heights of politically incorrect craziness that you know it could never have been made in the United States. The characters are dressing up in order to idolize black people, but at the same time, it’s done comedically and to such absurd levels that somebody will find it offensive. So if you think you might be that somebody, consider yourself warned.
Clearly this film isn’t for everyone, and it’s only a horror film in the sense that it centers around traditional horror monsters. Nor is it all that well made. But if you’re the guy who thinks a girl getting her face ripped off her skull is hilarious, then you will have a rollicking good time. Obviously, I am that guy, and Vampire Girl had me laughing uncontrollably far more often than it should have.