Starring Chen Kwan-Tai, Bruce Leung, Teddy Robin Kwan, Wong Yau-Nam, JJ Jia, M.C. Jin, Susan Shaw Yin-Yin, Lo Meng
Directed By Derek Kwok, Clement Cheng
My interest in Gallants was initially piqued after hearing that it marked the big-screen return of Shaw Brothers veterans Chen Kwan-Tai and Lo Meng. Then after learning that ex-Bruce Lee clone Bruce Leung starred alongside as well, nothing short of a ShamWow
Equal parts Rocky, The Karate Kid, and Cocoon, Gallants is as inspirational as these films yet manages to remain a loving product of its homeland. Anybody with even a vague interest in the martial arts will be glued to the screen here, and old school Shaw Brothers fans are especially in for a treat. But what Gallants has to say is transcendent of simple setting and surface visuals. Yes this is a film about the martial arts and the perseverance of the fighting spirit. But even more so, this film deals with everything from courage, redemption, dignity in old age, to the convenient and flashy repackaging of honored philosophies in order to make a quick buck. The rewards that can be reaped from this film are virtually endless. You can cram a theater full of viewers into a screening of Gallants and nearly every person could take away something a little different.
In concept this film succeeds on nearly every level. Bruce Leung and Chen Kwan-Tai still have that magic, and every time they explode into action on-screen I literally wanted to spring to my feet and cheer them on. Yet, these guys are clearly getting on in their years. Bruce Leung is not the springy, young mummy-fighting Bruce Lee clone he was in The Dragon Lives Again… his character limps along with a bum leg, gasps for breath after a fight, and has to slather on the healing ointment every evening. Chen Kwan-Tai fares a little better, but even his bones are a little more brittle and sore for wear after defending his teahouse from a gang of greedy thugs. Teddy Robin, who is probably more well known for composing film scores (including the fantastic score of Gallants) than for his acting career, is show-stealing here as Sifu Law, he has the swagger of a Dolemite and the homespun wisdom of a Mr. Miyagi. Initially I felt that he was a hard sell as a seasoned kung fu master, but his infectious presence and hilarious performance prevails, pretty much making martial arts skill a moot point. After watching him on-screen here I can imagine no better leader to round out this downtrodden kung fu school of has-beens and misfits. Just watching him drive these old bastards on while munching on a watermelon under an umbrella instantly echoed back to every old man training scene I have ever seen in my history of kung fu movies.
Nods to old school kung fu fans are sprinkled throughout. The opening credits faithfully duplicate the old Golden Harvest / Lo Wei-directed Bruce Lee movies, complete with the film’s own spin on the Fist of Fury title song. It makes for an instantly classic opening, and is probably one of the coolest things I have ever seen recreated on film. You also get plenty of old-fashioned snap-zooms and the introduction text that accompanies the actors as they make their first appearances on-screen. Although these are sure to bring wistful smiles to the faces of longtime fans, the film is not held back by these brief lapses into nostalgia.
It is a wonderful thing to see old legends whose time has seemingly come and gone rise once again to the occasion. Given the chance to shine one more time, they prove that they still have the spirit that made them endearing for so many years. This film is not only a testament to them, but it’s a testament to that ideal.
Author’s Note – If you’ve seen Gallants and want to familiarize yourself with the extensive history of films from its two lead actors, I suggest you check out my previous reviews of Chen Kwan-Tai in Heroes Two and Bruce Leung (as Bruce Leong) in The Dragon Lives Again!