MenfromtheMonastery_1Men from the Monastery [少林子弟] (1974)
AKA Disciples of Death, Dragon’s Teeth

Starring Chen Kuan-Tai, Alexander Fu Sheng, Chi Kuan-Chun, Chiang Tao, Lo Dik, Bruce Tong Yim-Chaan, Wu Hsueh-Yan, Wong Ching, Fung Ngai, Wu Chi-Chin, Fung Hak-On

Directed by Chang Cheh

Expectations: High, I like this one.

threehalfstar


Men from the Monastery was the second film in Chang Cheh’s Shaolin Cycle, and it serves as both prequel and sequel to Heroes Two. The story is broken up into segments like an anthology film, except it’s more like being fed pieces of the narrative in chunks that eventually add up to something. The first two segments occur prior to the events of Heroes Two, while the third and forth segments act as the continuation of the combined stories of both films. It’s a structure unique to Men from the Monastery (at least up to this point chronologically), and while I’d generally prefer a standard narrative, it works very well here, especially with the events of Heroes Two fresh in my mind.

We begin with Fang Shih Yu (Alexander Fu Sheng) while he is still a student at the Shaolin temple. Within a few minutes, he’s challenging the “Wooden Men Alley” to prove that he has the skills to leave. At this point, Chang Cheh also subtly introduces us to Shaolin’s perennial villains: Wu Dang (better known in the Western world as Wu Tang) and Pai Mei, the White Eyebrow Priest (who only appears in shadow for a moment). Flashes of Fang’s wooden-man trial and his subsequent battle on poles are shown in Heroes Two when we first meet him, but it’s great fun to see these sequences play out as full scenes. It’s almost like Chang Cheh originally had a three-hour cut of Heroes Two and decided to split it up into two complimenting films. I honestly think this may have been the case, as there are possibly some other indicators of this (such as Chi Kuan-Chun’s inclusion in the Hung Fist intro to Heroes Two). So feel free to add “out-of-order, chapter-based films” and “splitting a long film in two” to the list of things Tarantino co-opted from the Chang Cheh playbook. 🙂

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