The Magic Blade (1976)

The Magic Blade [天涯明月刀] (1976)

Starring Ti Lung, Lo Lieh, Ching Li, Tang Ching, Tanny Tien Ni, Lily Li Li-Li, Fan Mei-Sheng, Ku Feng, Norman Chu Siu-Keung, Lau Wai-Ling, Cheng Miu, Chan Shen, Teresa Ha Ping, Ku Kuan-Chung, Kong Yeung, Ng Hong-Sang, Chan Sze-Kai, Wong Ching-Ho

Directed by Chor Yuen

Expectations: Very excited to finally re-visit this.


The Magic Blade is a highly regarded wuxia in the Shaw Brothers catalog, and the nearly unanimous praise led me to review the film in 2010 (two months after starting Silver Emulsion). At the time I thought it was OK, but I didn’t understand why it was so well-loved. As the weeks went on, I kept thinking about the film, and how I must have missed something. I determined that context was the thing missing from my viewpoint, so later that year I began my chronological Shaw Brothers review project to fill my head with all the context I could handle. It’s now seven years later and I have finally arrived back around to The Magic Blade. It seems most people love the film right away, but for me I definitely needed the context to truly appreciate its mastery of the wuxia form.

The Magic Blade portrays a martial world full of strife and treachery. Like Killer Clans, it focuses on the dangers of the martial life and how prepared & alert one must be to survive against others’ devious intellect. The film opens on the deserted and quiet Phoenix Town, but this peace doesn’t last long. Out of the silence comes a procession of musicians, dancers, courtesans and other servants who prepare the town square for a grand display of entertainment for their master Yen Nan Fei (Lo Lieh). The celebration is cut short when a poncho-wearing Fu Hung Hsueh (Ti Lung) ominously appears out of the shadows. The two men have an appointment and a score to settle. Midway through their fight, though, a pair of expert assassins, Wood Devil and Tree Devil, ambush them. Fu and Yen are both swordsman of considerable skill and talent, and they have been targeted by the current leader of the martial world, Master Yu. Despite their vendetta to fight to the death, Fu and Yen team up for the time being to combat their shared threat.

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Emperor Chien Lung (1976)

Emperor Chien Lung [乾隆皇奇遇記] (1976)

Starring Lau Wing, Wong Yu, Tin Ching, Shut Chung-Tin, Shum Lo, Chiang Nan, Cheng Miu, Kong Yeung, Lam Fung, Teresa Ha Ping, Chan Shen, Cheng Kwun-Min, Shih Ping-Ping, Mi Lan, Lun Ga-Chun, Cheung Chi-Hung, Wang Han-Chen, Pang Pang, Lee Pang-Fei, Wong Ching-Ho, Chu Siu-Boh, Ching Si

Directed by Wong Fung

Expectations: I don’t know what to expect, honestly.


I added Emperor Chien Lung to my chronological lineup of Shaw Brothers films for a few reasons. For one, I knew it had some limited martial arts content, and that it starred Lau Wing and Wong Yu. Secondly, it was the top grossing Shaw Brothers film of 1976 and it spawned multiple sequels (which might have more martial content than this one). It was also directed by Wong Fung, who intrigued me with his film Rivals of Kung Fu and his legacy with the original Wong Fei-Hung series starring Kwan Tak-Hing. Thankfully, my curiosity was well-placed, and Emperor Chien Lung is a fantastically fun and well-crafted film.

Emperor Chien Lung is absolutely sick and tired of the sheltered life of an emperor. He is fed the same foods and dressed in the same clothes every day, and literally every aspect of his life is governed by tradition and routine. One day, he hears a tale of how Emperor Tang Ming-Huang disguised himself as a commoner and mingled amongst his people. Chien Lung decides to do this as well, and his adventures outside the palace are what makes up the bulk of the film. It bears an anthology feel, with each tale wrapped up tight before proceeded ahead with the next one. Chien Lung learns things along the way, and he even picks up a sidekick, Chau Yi Qing (Wong Yu), but nearly everything else is self-contained within each story.

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Ghost Eyes (1974)

Ghost Eyes [鬼眼] (1974)

Starring Chan Sze-Kai, Si Wai, Lam Wai-Tiu, Teresa Ha Ping, Yeung Chak-Lam, Chan Mei-Hua, Cheung Lai-Guk, Wong Ching-Ho, Leung Seung-Wan, Kong Oh-Oi, Chan Lap-Ban, Ma Siu-Ying

Directed by Kuei Chih-Hung

Expectations: High.


After Chang Cheh, I’d say that Kuei Chih-Hung is my favorite Shaw director. His work is inspired and influential, and while he never got his due credit during his lifetime, Celestial’s remastering work has definitely allowed intrepid film fans to discover his legacy and give it the recognition it deserves. Kuei’s first horror film was The Killer Snakes, with Ghost Eyes following in its wake nine months later. The Killer Snakes is definitely the superior film, but Ghost Eyes is a great movie that represents the first dip into supernatural horror for Kuei.

Wang Bao-Ling (Chan Sze-Kai) is a manicurist at a beauty shop. A mysterious man, Shi Jong-Jie (Si Wai), comes in for a treatment and takes an interest in Wang when he learns that she lives alone. After work, Wang is almost struck by a car and her glasses fall to the asphalt and shatter. Wouldn’t you know it, Shi is there to comfort her… and he just so happens to run an optical store! He invites her over for some contact lenses, under the advice that if she had been up with the times she wouldn’t be in this predicament with broken glasses. She takes him up on his offer, but the results aren’t exactly what Wang hoped they’d be! For one, she starts to see ghosts!

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Killer Clans (1976)

Killer Clans [流星蝴蝶劍] (1976)

Starring Chung Wah, Yueh Hua, Ku Feng, Ching Li, Wong Chung, Lo Lieh, Danny Lee, Yeung Chi-Hing, Cheng Miu, Ngaai Fei, Wang Hsieh, Lam Wai-Tiu, Chen Ping, Ling Yun, Fan Mei-Sheng, Teresa Ha Ping, Kong Yeung, Tin Ching, Cheng Kang-Yeh, Ku Kuan-Chung

Directed by Chor Yuen

Expectations: Super high. Been looking forward to these Chor Yuen wuxias for a long time.


In the lineage of Shaw Brothers wuxias, Killer Clans represents the dawn of a new paradigm. The number of wuxia films released by the studio had diminished considerably from the early days of the genre, when literally every martial arts film was a sword-swingin’ tale of chivalrous heroes. In the few years prior to Killer Clans, a good portion of the wuxias released by Shaw were actually holdovers from earlier years, finally released and then promptly forgotten. But Killer Clans, based on Meteor, Butterfly, Sword (流星·蝴蝶·劍), a 1973 novel by Gu Long, performed well enough to make the year’s box office top 10 (either #6 or #7, depending on the source).

To say that this new direction in wuxia filmmaking was a success is an understatement, but it almost never was. Like Chang Cheh, ever searching for a subject that would light the fires of passion, Chor Yuen felt stagnant and in need of a fresh style of film. Chor had abandoned wuxia filmmaking for Cantonese comedies (The House of 72 Tenants, etc.) and dramas (Sorrow to the Gentry, etc.), but the diminishing box office takings of these films demanded he look elsewhere for his film ideas. He decided to adapt some wuxia novels in a style unlike the traditional Shaw wuxia film, but Run Run Shaw rejected every one of his pitches saying that they wouldn’t make money.

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The Spiritual Boxer (1975)

The Spiritual Boxer [神打] (1975)
AKA Naked Fists of Terror, Fists from the Spirit World

Starring Wong Yu, Lin Chen-Chi, Kong Yeung, Shut Chung-Tin, Fung Hak-On, Lee Hoi-Sang, Ng Hong-Sang, Ngaai Fei, Chan Shen, Teresa Ha Ping, Chan Mei-Hua, Wong Ching-Ho, Keung Hon, Lee Sau-Kei, Shum Lo, Tin Ching, Chen Kuan-Tai, Ti Lung, Wilson Tong, Ho Kei-Cheong

Directed by Lau Kar-Leung

Expectations: High.


The Spiritual Boxer marks the directorial debut of one of the most influential figures in all of martial arts movie history: Lau Kar-Leung. Along with frequent partner Tang Chia, Lau began work at the Shaw studio choreographing Shaw’s first color martial arts film: Temple of the Red Lotus — a job they secured after pioneering Hong Kong’s first wirework in the Great Wall film The Jade Bow. Over the next 10 years, Lau’s collaborations with Chang Cheh resulted in a slew of iconic and lasting martial arts films that defined the genre. Lau’s goal throughout his film work was to bring more true-to-life representations of martial arts to the screen, and this ambition eventually led to Chang Cheh’s Shaolin Cycle of films. These films represented the closest Lau had come to realizing his dreams, and his strong, definite ideas led to a falling out with Chang Cheh during the filming of Disciples of Shaolin (though I’ve also seen it cited as being during Marco Polo, which Lau is not credited on). Producer Mona Fong then invited Lau Kar-Leung to return from Chang’s Film Co. in Taiwan to direct a movie of his own at the Shaw Brothers Studio in Hong Kong. Obviously, he took the offer and The Spiritual Boxer was the result.

The film begins near the end of the Qing dynasty with an intro showcasing the history of the “spiritual boxer,” a martial artist who could become invincible to all weapons after being infused with spirits of legend. Chen Kuan-Tai and Ti Lung make wonderful cameos as the spiritual boxers showing off their skills to the Empress Dowager Cixi, but the film isn’t about them, or this time, or even a spiritual boxer of the same ilk; it’s actually about a young apprentice, Hsiao Chien (Wong Yu), who travels the land with Master Chi Keung (Kong Yeung) performing spiritual boxing rituals. What their audiences don’t know is that they are just performers trying to earn a living from the reputation of the spiritual boxers, and when this trickery doesn’t go as planned it leads to much of the film’s conflict & comedy.

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Spirit of the Raped (1976)

spiritoftheraped_1Spirit of the Raped [索命] (1976)

Starring Liu Wu-Chi, Tung Lam, Wong Yu, Wong Chung, Wang Hsieh, Teresa Ha Ping, Tin Ching, Lau Wai-Ling, Chan Lap-Ban, Lam Wai-Tiu

Directed by Kuei Chih-Hung

Expectations: Kuei Chih-Hung! I hope it’s great.

threehalfstar


Spirit of the Raped couldn’t be a more perfect contrast to last week’s Shaw film, Night of the Devil Bride. The two films share a ton of broad similarities, but where Devil Bride was disappointing and unfocused, Spirit of the Raped made good on all of its promises and puts the sympathetic character front and center to heighten our emotional engagement. Not that movies can’t experiment with their object of focus, it’s just that some films need a certain something to stand on their own. In any case, Spirit of the Raped is a great film from Kuei Chih-Hung, and one that foreshadows the gooey, gross-out territory he would later explore and define in Bewitched and The Boxer’s Omen.

Liu Miao-Li (Liu Wu-Chi) and Chen Liang (Lam Wai-Tiu) are a young couple riding in the back of a minibus. They’re excited to be married soon, and Liu has just informed Chen that they’re also expecting a child! Their whole lives are ahead of them, until just a few minutes later when a trio of thugs rob the minibus. One of the criminals (Wong Chung) finds a stash of money the couple were trying to hide, so he kills Chen with a heartless blow to his neck. Unfortunately, this is only the beginning of Liu’s horrendous misfortune.

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Night of the Devil Bride (1975)

nightofthedevilbride_2Night of the Devil Bride [攝青鬼] (1975)
AKA Night of the Devil’s Bride, Devil Bride

Starring Lo Lieh, Chen Ping, Ku Feng, Ai Ti, Lam Wai-Tiu, Lau Wai-Ling, Chan Shen, Terry Lau Wai-Yue, Yeung Chi-Hing, Helen Ko, Kong Yeung, Teresa Ha Ping, Shum Lo, Wong Ching-Ho

Directed by Chang Il-Ho

Expectations: Moderate, but hopeful. I love Hong Kong horror.

twohalfstar


It’s hard not to be intrigued by a film called Night of the Devil Bride, but I should know by now that a great title does not always equal a great film. In this particular case, it equals an OK movie with untapped potential. Night of the Devil Bride was directed by Korean filmmaker Chang Il-Ho, who also made a couple of mediocre kung fu movies at the Shaw Studio (The Deadly Knives and The Thunderbolt Fist), so maybe I should’ve known better from the start. The film was originally to have been a co-directed affair between Chang Il-Ho and Shin Sang-Ok (the director behind A Thousand Year Old Fox and the lost Shaw film The Bandits), and what remains bears the marks of this. Night of the Devil Bride is not the most cohesive movie, and anytime a movie is only 75 minutes long it’s logical to suspect problems, either budgetary or otherwise.

Night of the Devil Bride begins with moments of tenderness between Shui Lien (Chen Ping) and Kao (Lo Lieh), a married couple living in a modest home outside of town. Shui Lien is afflicted with a bad case of tuberculosis, regularly losing her hair and coughing up blood. The town doctor is treating her, but she’s having a hard time recovering. Since she’s homebound, the film follows Kao as he ventures around town trying to raise funds to support them. But it’s quickly apparent that Kao is not the tender husband he first appears to be, and that in fact he’s willing to do most anything — good or evil — to better his place in life.

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