End of Days (1999)

endofdays_1Starring Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak, CCH Pounder, Derrick O’Connor, Miriam Margolyes, Udo Kier, Victor Varnado, Rod Steiger

Directed by Peter Hyams

Expectations: Arnold vs. the Devil has to be good, right?

twohalfstar


End of Days is one of what I presume is a handful of 1999 films to use the Y2K scare as a basis for their plot. Thanks to finally seeing the film 16 years after its release, where it’s known that nothing happened when we entered the new millennium, this plotline nostalgically reminded me of the days when the American public was controlled by simple fears instead of terrorism. But it also can be seen as a “fictional historical record” of what might have actually saved our collective butts from financial and technological doom. I already believe that Arnold can accomplish anything in movie land, from defeating an alien predator to carrying a baby to term, so I might as well think that he actually saved the world from destruction.

End of Days opens with a baby being born — no, not Arnold’s — and soon after a satanic nurse whisks her away to confirm her demonic birthmark and feed her some snake blood. Y’know, the usual. For all I know, this is what happens every time an infant is born, but for the sake of this movie, I’ll assume that this baby is special. And imagine that, it turns out she is! When she has grown to maturity, this child will be the wife of Satan, but she must remain a virgin until their coupling (which will somehow seal the Earth’s fate). The Catholic church has their own sect of elite priests devoted to stopping them —  they kick ass for the Lord — but it is private security officer Jericho Cane (Arnold Schwarzenegger) who ends up being the deciding factor in this holy war.

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Hollywoodland (2006)

hollywoodlandStarring Adrien Brody, Diane Lane, Ben Affleck, Bob Hoskins, Robin Tunney, Kathleen Robertson, Lois Smith, Phillip MacKenzie, Larry Cedar

Directed by Allen Coulter

Expectations: Low.

threestar


I kicked off my run through the Superman films with Superman and the Mole Men, so it seems somewhat fitting that my last review before Man of Steel should come around full circle. Hollywoodland is centered around the death of George Reeves, star of Superman and the Mole Men and the TV series it spawned: The Adventures of Superman. Hindsight reveals this as a landmark series, and as part of the foundation for the superhero genre that now populates our multiplex theaters every summer. At the time, though, things were not quite all wine and roses. Reeves wasn’t especially fond of the Superman role, even though it gave him fame among the kiddos. If we buy into the film’s character being similar to the real Reeves, he struggled and hoped to get more well-respected roles (much like the Jayne Mansfield character in The Jayne Mansfield Story).

Hollywoodland combines two things I generally try to stay away from in film: movies about Hollywood (as in the filmmaking industry, not the city) and celebrity biopics. The film definitely had moments that reminded me why I feel this way, but the narrative is varied and interesting enough to largely sideline these personal issues. The film is definitely too slow and longer than it needs to be, though. First time filmmaker Allen Coulter tries to fight the boredom back with a time-jumping narrative structure, moving between the investigation of Reeves’s death and flashbacks of his troubled life. Sometimes this works well, and sometimes it feels like a crutch used to spice up a slow-moving storyline.

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