Last Action Hero (1993)

lastactionhero_8Starring Arnold Schwarzenegger, Austin O’Brien, F. Murray Abraham, Charles Dance, Frank McRae, Tom Noonan, Anthony Quinn, Art Carney, Robert Prosky, Mercedes Ruehl, Ian McKellen, Professor Toru Tanaka, Bridgette Wilson-Sampras

Directed by John McTiernan

Expectations: Low, but hopeful.

twohalfstar


Last Action Hero is OK. As a comedy it’s not great, as an action movie it’s about the same, but as a mainstream big-budget action comedy I guess it’s pretty solid. The production itself is quite impressive, and the film boasts a ton of great stunts, FX and explosions. The film-within-a-film idea allowed the writers to go balls out, and they did a great job of distinguishing the real world from the imaginary, even well before Jack Slater transitions over into our world. The use of sunny and colorful Los Angeles as the fictional setting, and gritty, dangerous nighttime New York as the real world helps a lot with this as well.

Before I get too deep into this review I should probably note that I’m not a fan of self-aware films. If the entire Scream franchise and Cabin in the Woods were to disintegrate out of existence, I wouldn’t mind at all. I’m sure there are films out there that buck this rule of mine, but I can’t think of any at the moment. Last Action Hero is definitely one that falls within this self-aware category, but because of Arnold and my general love of shit blowing up I was able to make it through this one without too many urges to jump out the window screaming.

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The Running Man (1987)

runningman_2Starring Arnold Schwarzenegger, Maria Conchita Alonso, Richard Dawson, Yaphet Kotto, Jim Brown, Jesse Ventura, Erland van Lidth, Marvin J. McIntyre, Gus Rethwisch, Professor Toru Tanaka, Mick Fleetwood, Dweezil Zappa, Kurt Fuller

Directed by Paul Michael Glaser

Expectations: Super high, this is one of my favorite movies.

fourstar


As with Commando, I’m unable to give The Running Man anything less than a full and total endorsement of four stars. I’ve seen this film more times than I could ever remember; at this point it almost seems like I was the one who escaped from prison and got roped into a sadistic, future game show when the girl I kidnapped ratted me out. But my love of The Running Man isn’t blind, and now that I’m tasked with sharing my thoughts, I’ll do my best to relate why I think it’s such a great movie.

The film began its life under director Andrew Davis, who was just coming off of the Chuck Norris movie Code of Silence and would later go on to make such films as Under Siege, The Fugitive and Collateral Damage. Davis was fired after one week of filming, and Arnold is on record saying that this hurt the film because the replacement director, Paul Michael Glaser, shot it like a TV show. I love Arnold, but I have to disagree. The Running Man is gorgeous, and the look is one of the main reasons it succeeds. The film bursts with colors, from bright neons to dark blacks and blues. Thick fog and dirty mists swirl around our characters, filling many of the shots with a level of intoxicating cinematography usually unseen in genre fare like this.

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