Starring Richard Harris, Rod Taylor, Al Lettieri, Neville Brand, William Smith, Paul Benjamin, Pedro Armendáriz Jr., Isela Vega
Directed by Barry Shear
The Deadly Trackers opens with a few minutes of still images introducing us to the town of Santa Rosa. Sometimes dialogue plays over these images, creating the feeling of recalling a memory through a series of photographs. The images also carry the texture of a painting or an old photograph. This intro drags on for quite a while, eventually introducing a group of bandits robbing the bank. If there was ever an opposite to the slam-bang, ball-grabbin’ Sam Fuller-style intro, this would be it.
Where the motion begins, though, becomes all the more jarring because of this slow run-up of still images. The leader of the bandits, Brand (Rod Taylor), shoots a bank clerk in the forehead and the film almost literally explodes into action. Is it possible to assume that if Sam Fuller had been allowed to make the film he would’ve just opened here? Probably not, but it would definitely be closer to his style than anything Barry Shear decided to do in The Deadly Trackers.