Terminator 2: Judgment Day (1991)

Terminator_2_posterStarring Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick, Earl Boen, Joe Morton, S. Epatha Merkerson, Castulo Guerra, Danny Cooksey, Jenette Goldstein, Xander Berkeley

Directed by James Cameron

Expectations: I’ll be back.

fourstar


You shouldn’t need me to tell you that Terminator 2: Judgment Day is an incredible movie. One of the greatest blockbuster films of all time, T2 is a total thrill ride that, like the Terminators themselves, never stops. It is expertly paced and written in such a way that it is both a perfect sequel to the original film and completely self-contained and accessible to anyone in the audience. And does it hold up nearly 25 years after its original release? No problemo.

T2 brought revolutionary FX to the screen, and honestly they still look fantastic to me. Due to the limitations of the time, the CG is used exactly how it should be: to augment real footage to create incredible illusions of fantasy. The grounding in the real world makes the unreal feel all the more real because it’s seemingly happening in the same world we live in. The physical FX work is top-notch as well, with the scene when Arnold tears off his skin to show Miles Dyson his cyborg endoskeleton remaining my favorite. It blew my mind when I was a kid, and it still looks so real to me. I guess that’s what you get when your movie has a crazy budget and you’ve got Stan Winston on the case. Practical FX work may have gone out of style, but I stand by the claim that it does and will continue to age much better than CG.

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Near Dark (1987)

Starring Adrian Pasdar, Jenny Wright, Lance Henriksen, Bill Paxton, Jenette Goldstein, Tim Thomerson, Joshua John Miller, Marcie Leeds, Kenny Call, Troy Evans

Directed by Kathryn Bigelow

Expectations: High, been looking forward to this for a while.


Well, this is apparently the week of movies that don’t fit into the standard mold of what you’d generally expect from a horror movie. With the exception of Tales from the Hood, everything I’ve done this week has had some strange twist on the genre, or tried to subvert it to fit whatever artistic goals the director had in mind. Near Dark does both, and as the hype would have me believe, it does both incredibly well. Near Dark might not be a traditional horror movie, but it is unique, interesting and absolutely gorgeous to look at.

The story isn’t anything especially new to the genre: a young vampire rashly turns a mortal into a bloodsucker, and now said mortal must learn to cope with his new skills. But while the story itself is average and kind of done to death, the execution here is anything but. Director Kathryn Bigelow specifically set out to make a western film, but when she was unable to secure funding, she decided to jump onto the vampire hype wagon and make a revisionist vampire western. Sounds like a tall order for sure, but she pulls it off with the utmost style.

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Aliens (1986)

Starring Sigourney Weaver, Carrie Henn, Michael Biehn, Paul Reiser, Lance Henriksen, Bill Paxton, Jenette Goldstein, William Hope, Al Matthews, Mark Rolston, Ricco Ross, Colette Hiller

Directed by James Cameron

Expectations: Y’know, it’s Aliens. It’s good.


As I often say in reviews where I know I’m treading on hallowed ground: I’m just calling it like I see it. I’ve always wanted to burn (or re-burn) through the Alien films in one fell swoop, as until now I’ve only seen them with multiple years in between. Watching Aliens only a few days after Alien, with its tight, restrictive corridors and masterful atmosphere firmly rooted in my mind, was a completely different experience. Instead of purely enjoying the more action-packed take on the xenomorph, I found myself disappointed at the almost entire lack of the look and feel of Alien. I understand that this series is unique in that it has multiple creative forces behind it, but I couldn’t help but think that Aliens was far inferior to Alien. Obviously, this debate has been going ever since this sequel dropped, and ultimately it comes down to what type of movie you prefer, but for my money I have always (and apparently will always) prefer the original Alien to James Cameron’s loud, crammed-full-of-shit sequel.

Harsh words, I know, and honestly I don’t mean them to come off like they probably sound. I love Aliens, I truly do, but my undying love for Alien, coupled with the fact that its memory was as fresh as a newly hatched facehugger, led me to notice the trashy, mainstream-leaning nature of this film like never before. But I recognize that I’m being overly harsh and bringing in a hard-lined bias toward the atmospheric horror of the original. Where Alien transported you into the future and into a derelict alien ship, Aliens feels like you’re watching a movie. It delivers some fucking awesome visuals, but it fails to cohesively feel like a real place to me. At the end of the day, Aliens is a dope sequel to a much doper movie, aimed directly at those in the audience that prefer military clichés and the axiom “Bigger is Better” than silent terror and careful plotting. It’s a throw everything at the canvas sort of deal; James Cameron is clearly the Michael Bay of his era.

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