The Crimson Charm (1971)

936full-the-crimson-charm-posterThe Crimson Charm [血符門] (1971)

Starring Chang Yi, Ivy Ling Po, Shih Szu, Fang Mian, James Nam Gung-Fan, Ku Feng, Wang Hsieh, James Tin Jun, Chow Siu-Loi, Unicorn Chan, Hung Lau, Wong Wai, Lee Ka-Ting, Wong Ching Ho

Directed by Huang Feng

Expectations: Moderate.

threestar


The Crimson Charm starts out innocently enough. A father and daughter stop at an inn for the night and are enjoying a meal when a group of obviously bad individuals come looking for a different father and daughter who have done them wrong. They murder the father they’re looking for and then the leader tries to rape the daughter, and that’s when our first father/daughter duo step in. They can’t stand to see such villainy, and their altercation results in the death of the bandit leader who’s also the son of the chief of the Crimson Charm Gang. The Crimson Charm Chief vows to take revenge and murder the entire Chung Chow Sword School. Seems a bit extreme, but then that’s just how the Crimson Charm Gang rolls. But when the gang comes to take that revenge, they aren’t as thorough as they set out to be. They leave three survivors, and those survivors vow to take revenge on the Crimson Charm gang!

It might sound a little convoluted but it never feels that way during the movie, and for a wuxia film this is one of the more direct plots. The Crimson Charm is very much a transitional film between the complex early wuxias and the simple, paper-thin plots of later kung fu films, and it plays rather well as a combo of both. The film has a nice flow to it, naturally taking us through the chain of revenge before dropping us into the main struggle between the survivors of the massacre and the Crimson Charm Gang.

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The Duel (1971)

theduel_posterThe Duel [大決鬥] (1971)
AKA Duel of the Iron Fists, Duel of the Iron Fist, Duel of the Shaolin Fist

Starring Ti Lung, David Chiang, Yue Wai, Wang Ping, Chuen Yuen, Ku Feng, Cheng Kang-Yeh, Yeung Chi Hing, Hung Lau, Wong Ching Ho, Hoh Ban, Lee Wan Chung, Wang Kuang-Yu, Lau Gong, Chiu Hung, Yau Ming

Directed by Chang Cheh

Expectations: High.

fourstar


The Duel is an incredible martial arts motion picture. It might not be the type of movie that will convince non-martial arts fans of the greatness of the genre, but it will definitely delight and entertain those already in love. The Duel features so much flat-out awesome action, while also telling a very succinct and morally charged revenge tale, it’s truly one of Chang Cheh’s best films. I’m tempted to say that The New One-Armed Swordsman is a better movie, but The Duel is clearly the more awesome of the two. There is never a dull moment in The Duel, and whenever you think there might be, a whole host of henchmen sneak around the corner and assault our heroes. It’s simply a joy to behold.

The basic story of The Duel is centered around a family. When the patriarch is murdered in a public place, the elder brothers send younger brother Ren Jie (Ti Lung) away so that he can take the fall for the crime. He vows to find the killer when he returns, but before his time away is up a bunch of henchmen show up to murder him. The funny thing is: he recognizes their leader as one of his family members. This sets Ren Jie on a path of retribution, uncovering a thick web of intrigue and betrayal. Also along for the ride is The Rambler (David Chiang), a hired fighter that helped Ren Jie’s family take out a rival family during the film’s incredible opening sequence.

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King Eagle (1971)

KingEagle+1970-1-bKing Eagle [鷹王] (1971)

Starring Ti Lung, Li Ching, Cheung Pooi-Saan, Cheng Miu, Wang Kuang-Yu, Wong Chung, Cheng Lui, Lau Gong, Chan Sing, Yau Lung, Lee Sau Kei, Bruce Tong Yim-Chaan, Tung Li, Hung Lau, Tang Chia, Chan Chuen

Directed by Chang Cheh

Expectations: Moderately high. I’m interested to see what Chang Cheh can bring to a wuxia film after his other films.


It’s never a surprise to enjoy a Chang Cheh movie thoroughly, and King Eagle is a great piece of work from the master. It’s definitely minor in his massive filmography, but King Eagle sets itself apart by focusing mostly on its story. Written by the illustrious and always dependable Ni Kuang, King Eagle is a wuxia film that focuses on a growing conflict within the Tien Yi Tong clan, and how a single, wandering swordsman known to the martial world as King Eagle (Ti Lung) is drawn into their business.

The headmaster of the Tien Yi Tong clan is murdered, and the call goes out across the land to assemble the chiefs so that a new headmaster can be named. What most of the chiefs don’t know is that the 1st Chief (Cheung Pooi-Saan) is the one responsible for their master’s death! King Eagle is informed of this by a dying soldier, and even though he has no stake in the matter and he’d rather just go about his own business, the 1st Chief and his minions antagonize him and try their best to kill him because of what he knows.

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A Taste of Cold Steel (1970)

A Taste of Cold Steel [武林風雲] (1970)

Starring Chang Yi, Yau Ching, Essie Lin Chia, Shu Pei-Pei, Chen Hung Lieh, Wong Chung-Shun, Ku Feng, Wu Ma, Hung Lau, Simon Chui Yee-Ang, Fang Mian, Lee Kwan, Wang Hsieh, Lee Wan Chung, James Tin Jun

Directed by Griffin Yueh Feng

Expectations: Moderate. I like Yueh Feng, but the last movie was disappointing.


A Taste of Cold Steel is, like its title suggests, about an amazing sword that everyone wants to get their hands on. As soon as they see the radiant purple glow that emanates from it, they will stop at nothing to have it. It’s a slight variation on the theme of the martial world fighting over a world-class sword, but A Taste of Cold Steel sets itself apart in a couple of interesting ways.

First, the blade actually glows purple every time it’s unsheathed on-screen. People’s faces and everything around them glows marvelously purple; this is definitely a candidate for Prince’s favorite martial arts film (if he engages in such primal pleasures as this). It looks to have been achieved with a spotlight carefully highlighting the sword, but most of the time you can’t really tell and it looks quite fantastic and realistic.

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Vengeance! (1970)

Vengeance! [報仇] (1970)
AKA Kung Fu Vengeance

Starring David Chiang, Ti Lung, Wang Ping, Alice Au Yin-Ching, Ku Feng, Yeung Chi Hing, Wong Ching Ho, Chuen Yuen, Hoh Ban, Chan Sing, Wang Kuang-Yu, Cheng Lui, Hung Lau, Lau Gong, Wong Chung, Cliff Lok Kam Tung, Shum Lo, Chen Kuan-Tai

Directed by Chang Cheh

Expectations: Super high. I’ve wanted to see this forever.


In my review for Chang Cheh’s The One-Armed Swordsman, I mentioned that Chang had thrown down the gauntlet with that film, challenging the genre to step up to the plate and create meaningful action cinema. Vengeance! is another of these pinnacle moments in the history of the genre, with Chang Cheh thoroughly tired of the status quo and looking for new inspiration. He found it in a new time period, the 1920s early Republic era, and setting the film during this tumultuous period in Chinese history makes for the perfect setting of a martial arts film. As political struggles divided China into factions and eventually led to the Chinese Civil War (1927-1950) between the Republic and the Communist forces, Vengeance! is set in an unnamed Chinese city where criminals have banded together to control the land. I don’t claim to be a history scholar, but a general knowledge of this helps to inform the setting of the film in the viewer’s mind, even if these broad struggles don’t specifically come into play during the story.

Vengeance! opens with a Peking opera, echoing (and perhaps mocking) the used and reused traditional period setting of many Shaw Brothers films. Ti Lung is the lead actor, skillfully demonstrating his martial skill in a tragic play where he is assaulted by many combatants and is eventually killed rather violently. All the while, Ku Feng is upstairs hitting on Ti Lung’s wife, and when Ti finds out, he’s pissed. He travels to Ku Feng’s martial arts school, breaks their sign (is this perhaps the first sign-breaking in martial arts history?) and proceeds to school everyone that comes near him. The criminal bosses don’t like being fucked with though, so they plot an ambush for Ti Lung and violently murder him. This is roughly the opening fifteen minutes, and already we’ve had a finale quality fight scene. Where does Chang Cheh take it from here?

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Heads for Sale (1970)

Heads for Sale [女俠賣人頭] (1970)

Starring Lisa Chiao Chiao, Chan Leung, Wang Hsieh, Helen Ma Hoi-Lun, Chen Yan-Yan, Fan Mei-Sheng, Cheng Miu, Cheng Lui, Chan Sing, Tung Li, Chai No, Hung Lau, Poon Oi-Lun, Yip Bo-Kam

Directed by Cheng Chang Ho

Expectations: Low, despite a great title.


Heads for Sale opens with a song. This is not generally a good sign, and it immediately made me think this would be a throwback film to the early days of the genre when it was all pageantry and colorful music numbers. Thankfully, this is not the case, but the film suffers horribly from disorganized storytelling and a cast of characters so large and broad that it becomes tedious to keep up with everyone. Just when you think they’ve thrown everything they can at you, Heads for Sale introduces four new villains about 12 minutes before the film ends. And these aren’t villains that the film has been alluding to throughout like ominous string-pullers lurking in the dark, they’re just four brothers looking for vengeance on two of their brothers killed earlier in the film. It’s never clear who their brothers are either, but I’m going to assume they were the two guys beheaded about halfway through the movie. So yeah, the storytelling isn’t as strong as it could be.

In any case, the story begins with Hua Bilian (Lisa Chiao Chiao) waiting patiently for word that Luo Hongxun (Chan Leung) will accept her hand in marriage. The thing is: Hua’s father has a bad reputation as a bandit, so no one wishes to marry Hua. When an emissary arrives with the bad news, Hua flips out, suits up and heads over to Luo’s home to settle the score. A woman scorned, and all that. What she’s not aware of is that Luo actually cares deeply for her, it’s his mother that said no and sent the emissary away empty-handed. Cue some misunderstandings, followed by a bunch of fights and you’ve pretty much got an idea of what Heads for Sale is all about.

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The Golden Knight (1970)

The Golden Knight [金衣大俠] (1970)
AKA Nine Golden Knights

Starring Lily Ho Li-Li, Kao Yuen, Fan Mei-Sheng, Shu Pei-Pei, Hung Lau, Cheng Miu, Ku Feng, Wong Ching Ho, Lan Wei-Lieh, Cheung Chok Chow, Wang Hsieh, Lee Siu-Chung, Chuen Yuen, Yeung Yip-Wang, Hsu Yu

Directed by Griffin Yueh Feng

Expectations: High, been waiting for the next Yueh Feng movie for what seems like forever.


The Golden Knight is the perfect example of a martial arts film that would have been great if it had been made a few years later. If that were the case, the boring fights would’ve been exciting, and the great backstory about stolen kung fu manuals and murdered masters would’ve delivered something truly spectacular. To be fair, there’s a good number of films from this era that do just that though, so The Golden Knight doesn’t really have an excuse. I guess I’ll just chalk it up to Griffin Yueh Feng looking to make more of a throwback, story-focused wuxia film while incorporating some elements of the newly rising kung fu genre.

The Golden Knight is not really about a golden knight as you might expect. It’s about Yu Fei Xia, an orphaned swordswoman accused of murdering members of the Golden Knight organization to get revenge for her father’s murder. She’s under the impression that the clan leaders all got together and murdered her dad, but there’s definitely more than meets the eye in this twisting, overly complicated story. Along the way to the truth she meets up with one of the golden knights (Kao Yuen) who believes her story and tries to help her.

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