The Generation Gap (1973)

GenerationGap_1The Generation Gap [叛逆] (1973)
AKA The Traitor

Starring David Chiang, Agnes Chan Mei-Ling, Ti Lung, Lo Dik, Yeung Chi-Hing, Lin Jing, Kong Ling, Johnston Wong Chan-Sin, Ricky Hui Koon-Ying, Shum Lo, Lee Pang-Fei, Dean Shek Tin, Lee Sau-Kei, Chiang Tao, Wong Pau-Gei, Helen Ko, Alexander Fu Sheng

Directed by Chang Cheh

Expectations: Moderate. I never know what to expect with Chang Cheh’s modern films.

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The Generation Gap is another entry into Chang Cheh’s collection of films about the troubled youth of Hong Kong, but this is perhaps his most successful at a dramatic level (at least up to this point chronologically). Does that mean it’s one to watch if you’re interested in dipping your toes into the modern films of Chang Cheh? I guess, although I think your enjoyment of it will directly relate to how much you love you already have for early ’70s Hong Kong film. But whatever, I can’t guess how and why someone else will like this movie, I can only speak for myself. And I liked it quite a lot.

The Generation Gap is about the romance between 21-year-old Ling Xi (David Chiang) and 16-year-old Cindy (Agnes Chan). Their parents both disapprove of the coupling for many reasons, but like all young lovers, they feel like they’ve found the best thing on Earth and their parents are being needlessly protective. The film charts the relationship as it grows and attempts to mature, and as you can imagine there are aspects of it that don’t go as planned (or dreamed) by the two lovebirds.

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Uncle Jasper reviews: Virgins of the Seven Seas (1974)

Virgins of the Seven Seas [洋妓] (1974)
AKA “The Bod Squad” & “Enter the Seven Virgins” & “Karate, Küsse, Blonde Katzen

Starring Sonja Jeanine, Diana Drube, Tamara Elliot, Gillian Bray, Deborah Ralls Yueh Hua, Liu Hui-Ling, Wang Hsieh, Helen Ko, Li Ming

Directed by Kuei Chi-Hung and Ernst Hofbauer


This must be bare breasted kung fu fighting week over here at Silver Emulsion because both of my reviews this week feature sexy ladies doing exactly that. But whereas T.N.T. Jackson relegated it to a single action scene, Virgins of the Seven Seas took that classy concept and built an entire film around it. Now if I were to choose potential filmmakers to direct a movie about topless European sex slaves kicking the shit out of Chinese pirates I’m pretty sure Shaw Bros degenerate Kuei Chi-Hung would factor into it somehow, if not at the very top. And guess what? Lo and behold he’s here along with German softcore porn legend Ernst Hofbauer to bring us this tasteful tale of war, love, and vagina training on the high seas.

This two-pronged approach is what really makes this film work at a base level. As each director was allowed to focus on their own specialties, it makes for a thoroughly entertaining experience all the way through. I can’t vouch for Ernst Hofbauer, as I know very little about his work, other than the fact he directed a series of films called Schoolgirl Report (which makes him an instant winner in my book), but Kuei Chi-Hung’s indelible stamp is evident right from the start when a live eel is fished from the water and skinned alive on camera (“The white vixens will get the bowels” one crewman exclaims). His unhealthy obsession with weird misogynistic fantasies and perverse torture sequences once again rears its ugly head here as our scantily-clad heroines are put through their paces. Over the course of the film our ladies are fed raw animal offal, tied to giant spinning wheels, chained to a wall as their nipples are mercilessly lashed and finally, spread-eagle and intimately examined in order to make sure they’re “still sealed”.

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Uncle Jasper reviews: The Killer Snakes (1974)

The Killer Snakes (1974)

Starring Kam Kwok-Leung, Maggie Lee Lam-Lam, Chan Chun, Chow Gat, Helen Ko, Lam Fung-Hung

Directed By Kuei Chi-Hung


 

With The Killer Snakes, Shaw’s go-to sleazemeister, Kuei Chi-Hung, reaches stellar new heights (or lows, depending on how sensitive you are to animal cruelty and wild forays into sexual bondage). No stranger to no-holds-barred subject matter, having made the rounds with women’s prison films (Bamboo House of Dolls), and gross-out experiments in the dark arts (Bewitched and The Boxer’s Omen), Chi-Hung plunges the viewer headfirst into his darkest and most socially unredeeming worldview yet.

The Killer Snakes, despite its disturbing imagery and horrifying ventures into only the most psychologically depraved territories, is probably one of the best non martial arts films to ever make it out of Shaw Studios. Don’t get me wrong, it is not a pleasant experience, and I highly doubt I’ll be popping this one in again anytime soon.  But you can’t deny how effective it is in eliciting some pretty heavy reactions from anybody brave enough to dive beneath its unsettling surface.

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