Dead Pigeon on Beethoven Street (1973)

deadpigeon_1Dead Pigeon on Beethoven Street [Tote Taube in der Beethovenstraße] (1973)
Released in the US 1974

Starring Glenn Corbett, Christa Lang, Sieghardt Rupp, Anton Diffring, Stéphane Audran, Eric P. Caspar, William Ray, Alexander D’Arcy, Anthony Chinn

Directed by Samuel Fuller

Expectations: Moderate.

Overall:
twohalfstar

Just in terms of entertainment:
threestar


Following Shark!, Sam Fuller’s luck getting films funded didn’t change much; Dead Pigeon on Beethoven Street is Fuller’s only film of the ’70s. Technically, it’s not even a proper film, but if you didn’t know it was made as an episode of the German cop series Tatort (which is amazingly still running), you’d never have guessed it. Where American television stifled Fuller’s creative spirit and made him conform to the norms of whatever show he was working on, the producers of Tatort allowed Fuller the freedom to make whatever he wanted. He took this freedom and ran with it, crafting a unique, exciting picture unlike anything else in the Fuller catalog. Part crime thriller, part farcical comedy, Dead Pigeon on Beethoven Street is a hidden gem in Fuller’s filmography.

Dead Pigeon on Beethoven Street opens with a pigeon falling from the sky. As it plummets to the sidewalk below, it is joined on the ground by a dying man. The killer runs down the street with the cops in chase. The film hits the ground running, leading us into a tale of blackmail, deceit and betrayal. Our hero, Sandy (Glenn Corbett, who made his film debut in Fuller’s The Crimson Kimono), is an American private investigator on the hunt for the negatives to some compromising photos of an American senator. The man murdered on Beethoven Street was Sandy’s partner, and the clues left by the murderer allow Sandy to infiltrate the group responsible for the senator’s blackmail.

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The Crimson Kimono (1959)

The_Crimson_KimonoStarring Victoria Shaw, Glenn Corbett, James Shigeta, Anna Lee, Paul Dubov, Jaclynne Greene, Neyle Morrow, Gloria Pall

Directed by Samuel Fuller

Expectations: High. I saw this for the first time right before starting Silver Emulsion, so I’m excited to revisit it.

threehalfstar


Like all the Sam Fuller films I’ve seen, The Crimson Kimono is an interesting and unique film. It begins as something of a film noir, with a burlesque dancer chased and murdered in the middle of a busy Los Angeles street by a mysterious assailant. Stepping in to investigate this strange murder are LAPD detectives Charlie Bancroft (Glenn Corbett) and Joe Kojaku (James Shigeta). Yep, that’s right, a Japanese police detective in a ’50s film. If it were anyone other than Sam Fuller, I’d be surprised.

Not only does Fuller have a lead Japanese character in a position of power that would generally be shown as a white male, Fuller doesn’t portray Joe as a stereotype. Joe is an Asian character played by an Asian man. He speaks normally, he acts normally, and his culture is not presented as some den of villainy for the white men to bust into and break up. This is truly groundbreaking stuff, and Fuller should be more well-known for his contribution to this kind of socially conscious filmmaking.

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