Dollman vs. Demonic Toys (1993)

Starring Tim Thomerson, Tracy Scoggins, Melissa Behr, Phillip Brock, Phil Fondacaro, R.C. Bates, Willie C. Carpenter, Peter Chen

Directed by Charles Band

Featured Toys: Baby Oopsy Daisy, Jack Attack, Mr. Static, Zombietoid, Grizzly Teddy (flashback)

Expectations: Moderate. I liked Dollman. I liked Demonic Toys.

On the general scale:
onehalfstar

On the B-Movie scale:
twohalfstar


Dollman vs. Demonic Toys serves as a sequel to three Full Moon films, the two in the title and Bad Channels. Following the events of Bad Channels, where an alien took over a radio station and shrunk beautiful women down to Dollman size, Dollman finds himself heading down the road to see if he can meet up with the girl who didn’t get restored to full-size. The scene that opens the film is the same as the one that follows the credits of Bad Channels. Meanwhile, Tracy Scoggins from Demonic Toys is staking out the toy warehouse where all the demonic shit went down. A bum dies and his blood gives life anew to the toys, who flee into an air duct before Scoggins can blast them like she did towards the end of Demonic Toys. Got all that?

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Dollman (1991)

Dollman (1991)

Starring Tim Thomerson, Jackie Earle Haley, Kamala Lopez, Humberto Ortiz, Nicholas Guest, Judd Omen, Michael Halsey, Frank Doubleday, Frank Collison, Vincent Klyn, John Durbin, Merle Kennedy, Luis Contreras, Eugene Robert Glazer, Richard D’Sisto, John Eastman, Christian Guzek

Directed by Albert Pyun

Expectations: Moderate, I remember liking this when I saw it as a kid.

On the general scale:
twohalfstar

On the B-movie scale:
threehalfstar


Dollman in some ways is the ultimate Full Moon film. It features a high-concept plot, lots of special FX (of varying quality) and that unmistakable brand of cheap humor laced into most of their titles. For instance, the whole opening sequence is a cavalcade of bad-quality fat jokes, which I suppose sets the tone accordingly, but it does so in such a ham-fisted way that many probably never made it past the scene. It’s unfortunate because once it gets going,  Dollman is a rip-roaring good time.

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