Starring Cliff Robertson, Dolores Dorn, Beatrice Kay, Paul Dubov, Robert Emhardt, Larry Gates, Richard Rust, Gerald Milton, Allan Gruener, David Kent
Directed by Samuel Fuller
Samuel Fuller is known as the director who makes direct films that punch you viscerally with their ferocity, but Underworld USA is perhaps the leanest, meanest, most consistently thrilling Sam Fuller picture I’ve seen yet. Not only is this one instantly rocketing up near the top of my favorite Sam Fuller movies, there are few noir films that I enjoy as much as this one. I must admit that I’m not as well-versed as I ought to be in the noir genre, but if there were more noir films as jam-packed with excitement as Underworld USA is, that might be a different story. It’s absolutely criminal that Underworld USA isn’t better known and respected. Who knew that one of the best noirs out there was made in the ’60s?
As all Fuller films do, Underworld USA begins with a strong premise. We meet Tolly Devlin, a 14-year-old kid hiding out in an alleyway, waiting for his opportunity to lift some valuables from drunk New Year’s Eve partygoers. He is firmly entrenched in the criminal lifestyle, and soon we learn why. His father is a career criminal, but tonight is not his lucky night. Tolly watches four men beat his father to death in the alley. He only sees the face of one of the men, but when given the opportunity to tell the cops what he saw, he refuses. Instead, he bides his time as a career criminal like his father, working towards the day when he might exact revenge on the men responsible for his father’s murder.