The Silver Emulsion Podcast: Ep. 62 – Galaxy Express 999

This week Stephen and I are keeping the anime train a-rollin’ with Rintaro’s 1979 smash-hit anime feature: Galaxy Express 999! Listen and enjoy! 🙂

Also: the show is now on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Jimi Hendrix – Hear My Train A-Comin’

Outro:

  • Godiego – 銀河鉄道999 = The Galaxy Express 999

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

The Snake Prince (1976)

The Snake Prince [蛇王子] (1976)

Starring Ti Lung, Lin Chen-Chi, Helen Ko, Fan Lei, Wong Yu, Ng Hong-Sang, Wong Ching-Ho, Cheng Miu, Leung Seung-Wan, Lam Wai-Tiu, Norman Chu Siu-Keung, Tsang Choh-Lam

Directed by Lo Chen

Expectations: Excited, but I’m not sure what to expect.


The Snake Prince is easily one of the most unusual Shaw Brothers films I’ve seen. It combines a full-on musical with fantasy and folklore to create an unforgettable film you’ll either love or hate. I love a good musical, so to have one with funky ’70s music, the usual Shaw Brothers feel and a bunch of snake-driven fantasy, I thoroughly enjoyed myself. There’s also a bit of martial art action here and there, but it’s not treated like the fights of more traditional films. They aren’t edited for tension at all, instead there are a lot of long, unbroken takes that allow the physicality of the actors to really be appreciated. But don’t expect anything too exciting in this regard, it’s more like a few sprinkles on top of a donut instead of something more substantial. If you aren’t diggin’ the rest of the movie, the fights aren’t going to be enough to make it worth it.

A small mountain village is in the middle of a severe drought. The villagers pray (via a funky song, of course) for the rains to return so their crops can thrive again. After the opening credits introduce us to the Snake Prince, we return to the villagers, again in song. During this celebration, the Snake Prince (Ti Lung) and his two snake friends (Wong Yu & Ng Hong-Sang) enter the town disguised as villagers. They dance and sing with the humans, and a trio of sisters catches their snake eyes. The Snake Prince is especially smitten with Hei Qin (Lin Chen-Chi), but a trio of men from the village (who I assumed were the boyfriends of the sisters, but they never said they were) run the snake guys out of town. This is where one of the bigger action scenes happens, but it’s more like stage fighting than anything resembling what was occurring in the other films of 1976.

Continue reading The Snake Prince (1976) →

1911 (2011)

1911 [辛亥革命] (2011)
AKA 1911 Revolution

Starring Jackie Chan, Winston Chao Wen-Hsuan, Li Bing-Bing, Sun Chun, Joan Chen, Jiang Wu, Jaycee Chan Cho-Ming, Hu Ge, Ning Jing, Yu Shao-Qun, Dennis To, Huang Zhi-Zhong, Mei Ting, Xing Jia-Dong, Bobo Hu Ming, Huo Qing, Qi Dao, Tao Ze-Ru, Olivia Wang Zi-Wen, Michael Lacidonia

Directed by Jackie Chan & Zhang Li

Expectations: I don’t expect traditional Jackie.


1911 was released in 2011 to celebrate the centennial of the momentous rebellion that ended 2,000 years of imperial rule and established the Republic of China. It is a film painted in broad strokes, seeking to tell the story of the Xinhai Revolution from the Second Guangzhou Uprising (April 27, 1911) to the swearing in of Yuan Shikai as the second Provisional President of the Republic of China. Major players like Sun Yat-Sen (Winston Chao Wen-Hsuan) and Huang Xing (Jackie Chan) are well-represented, but the film isn’t specifically about them; it’s about China and the overall effort of all involved that led to the revolution’s success. This makes 1911 more detached and broad than is traditional in American historical films, but it does exactly what it sets out to do very well. It’s a film likely to divide audiences, but I definitely enjoyed it and look forward to revisiting it in the future.

The film begins five months before the Second Guangzhou Uprising, as the members of the Tongmenghui are gathered in Malaysia for the 1910 Penang conference. There Sun Yat-Sen and the other leaders (such as Huang Xing) planned the upcoming uprising against the corrupt Qing government. The men are on the brink of going to war, but we see them in the quiet days beforehand, when they are still able to enjoy frolicking on the Malaysian beach. After the meeting, Sun Yat-Sen left to continue fundraising efforts among the overseas Chinese sympathetic to the cause. Over the course of 1911, we follow both Sun Yat-Sen in the US and Huang Xing as he leads the troops into battle. The importance of both men’s actions (and hundreds of others, as well) is brought into sharp focus by crafting the film like this, and it becomes easy to understand how the rebellion was able to succeed despite going up against the much more powerful Qing government. It was a war on two fronts, waged physically and mentally.

Continue reading 1911 (2011) →

The Silver Emulsion Podcast: Ep. 61 – Read or Die

Happy New Year! This week Stephen and I are tackling the Read or Die OVA series and TV series, resulting in an epic episode you’ll have to hear to believe! Listen and enjoy! 🙂

Also: the show is now on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Bob Dylan – Everything is Broken
  • YKZ – R.O.D.
    • R.O.D -The TV- Original Soundtrack 1 (Amazon)

Outro:

  • Tina Fabrique – Reading Rainbow Theme (Butterfly in the Sky)
  • kazami with Home Grown – Moments in the Sun
    • R.O.D -The TV- Original Soundtrack 2 (Amazon)

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

Brotherhood (1976)

Brotherhood [江湖子弟] (1976)

Starring Lau Wing, Woo Gam, Lily Li Li-Li, Wang Hsieh, Shut Chung-Tin, Chiang Tao, Cheng Miu, Chan Shen, Leung Seung-Wan, Fung Ging-Man, Yeung Chak-Lam, Keung Hon, Ngaai Fei, Shum Lo, Liu Wai, Lee Sau-Kei, San Kuai, Hao Li-Jen, Wong Ching-Ho, Ku Kuan-Chung, Bobby Canavarro, Yuen Biao

Directed by Hua Shan

Expectations: Excited to finally see a Hua Shan movie that isn’t Super Inframan.


Brotherhood is a great piece of entertainment, but as a cohesive film it’s a little less successful. It tells a story of Liao (Lau Wing), a man who becomes part of a powerful Hong Kong triad, but long stretches of the movie leave this character by the wayside to focus on the triad itself and the politics within. It shifts its focus so seamlessly that I honestly didn’t notice until it had been at least 15 minutes, but once the realization hit it was hard to ignore. The movie works its way back around to Liao, but the two stories aren’t intertwined well enough. When we rejoin Liao, he’s also evolved into a different type of person. I would have preferred to see the evolution, although with tons of movies that already do this, perhaps I should just enjoy Brotherhood for cutting out the middleman. In any case, I had some troubles with the film (that might be resolved with a re-watch), but none of them really hinder the film’s constant, high-value entertainment.

Liao Da-Jiang is a petty criminal pulling robberies with a group of three other guys. We enter the movie mid-jewelry heist, and unbeknownst to the criminals it is to be a pivotal moment in their lives. Liao is older than your typical juvenile delinquent, so Brotherhood felt like it could be the next step from that sub-genre of Hong Kong crime films. We can assume that Liao’s poor choices as a teenager led him to this moment, but as an adult the consequences are more lasting and serious. The twists and double crosses come fast and brutal in Brotherhood, and they eventually lead Liao to join the San He Tang triad. The triad is also experiencing a time of huge change, with its own share of brutal double crosses. The plot follows these two threads in fairly obvious ways, but as I mentioned, Brotherhood is always highly entertaining thanks to a couple of factors (namely the well-rounded cast, the harsh brutality of the violence, and the action choreographed by Yuen Woo-Ping and Yuen Cheung-Yan).

Continue reading Brotherhood (1976) →

The Magic Blade (1976)

The Magic Blade [天涯明月刀] (1976)

Starring Ti Lung, Lo Lieh, Ching Li, Tang Ching, Tanny Tien Ni, Lily Li Li-Li, Fan Mei-Sheng, Ku Feng, Norman Chu Siu-Keung, Lau Wai-Ling, Cheng Miu, Chan Shen, Teresa Ha Ping, Ku Kuan-Chung, Kong Yeung, Ng Hong-Sang, Chan Sze-Kai, Wong Ching-Ho

Directed by Chor Yuen

Expectations: Very excited to finally re-visit this.


The Magic Blade is a highly regarded wuxia in the Shaw Brothers catalog, and the nearly unanimous praise led me to review the film in 2010 (two months after starting Silver Emulsion). At the time I thought it was OK, but I didn’t understand why it was so well-loved. As the weeks went on, I kept thinking about the film, and how I must have missed something. I determined that context was the thing missing from my viewpoint, so later that year I began my chronological Shaw Brothers review project to fill my head with all the context I could handle. It’s now seven years later and I have finally arrived back around to The Magic Blade. It seems most people love the film right away, but for me I definitely needed the context to truly appreciate its mastery of the wuxia form.

The Magic Blade portrays a martial world full of strife and treachery. Like Killer Clans, it focuses on the dangers of the martial life and how prepared & alert one must be to survive against others’ devious intellect. The film opens on the deserted and quiet Phoenix Town, but this peace doesn’t last long. Out of the silence comes a procession of musicians, dancers, courtesans and other servants who prepare the town square for a grand display of entertainment for their master Yen Nan Fei (Lo Lieh). The celebration is cut short when a poncho-wearing Fu Hung Hsueh (Ti Lung) ominously appears out of the shadows. The two men have an appointment and a score to settle. Midway through their fight, though, a pair of expert assassins, Wood Devil and Tree Devil, ambush them. Fu and Yen are both swordsman of considerable skill and talent, and they have been targeted by the current leader of the martial world, Master Yu. Despite their vendetta to fight to the death, Fu and Yen team up for the time being to combat their shared threat.

Continue reading The Magic Blade (1976) →

Stephen reviews: Strait Jacket (2007)

Strait Jacket [ ストレイト・ジャケット] (2007)
AKA Strait Jacket – Legend of the Demon Hunter

Starring Ai Maeda, Kei Shindou, Shinichiro Miki, Akira Sasanuma, Asami Imai

Directed by Shinji Ushiro


Do you like Full Metal Alchemist, but wish it had a bit more angst? Then Strait Jacket is the movie for you. I don’t mean this as an insult, but there is a good deal of similarity between the two. Both feature a scientific use of magic that’s heavy on mystic symbols and big suits of armor in a world with somewhat modern technology and an ample supply of mutated human monsters rampaging about.

Where the two stories differ is that Strait Jacket‘s main character, Reiot, doesn’t get involved with changing the course of nations. It instead focuses on a more personal scale, exploring his sense of overwhelming guilt for the mistakes of his past. He is a hunter of demons, who are former humans mutated into deranged monsters by unprotected exposure to magic. It is Reiot’s recognition that these demons are, or at least were, humans that makes him see himself as a mass murderer.

Continue reading Stephen reviews: Strait Jacket (2007) →

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