Pursuit of Vengeance (1977)

Pursuit of Vengeance [明月刀雪夜殲仇] (1977)
AKA Moonlight Blade: Vengeance on a Snowy Night (literal translation of Chinese title)

Starring Ti Lung, Lau Wing, Lo Lieh, Paul Chang Chung, Derek Yee, Shih Szu, Wai Wang, Ku Kuan-Chung, Cheng Miu, Yeung Chi-Hing, Ou-Yang Sha-Fei, Norman Chu Siu-Keung, Chen Ping, Lam Fai-Wong, Fan Mei-Sheng, Wa Lun, Chan Shen, Ngaai Fei, Yue Wing, Liu Wai, Stephan Yip Tin-Hang, Keung Hon, Wong Ching-Ho, Shum Lo, Bruce Tong Yim-Chaan, Jamie Luk Kim-Ming, Mama Hung

Directed by Chor Yuen

Expectations: High. Can Chor Yuen go five for five in 1977?


I expected to enjoy Pursuit of Vengeance, but the film surprised me and outdid every expectation I had for it. In researching the previous Chor Yuen films based on Gu Long’s Little Li Flying Dagger series (The Sentimental Swordsman & The Magic Blade), I read a basic plot synopsis of the novel that Pursuit of Vengeance is based on, Bordertown Prodigal (邊城浪子, Biancheng Langzi). It mentioned that the main characters, Ye Kai (Lau Wing) and Fu Hong-Xue (Ti Lung), both had love interests, and that the events of the book are what leads Fu to becoming the disillusioned, hard-boiled swordsman we see in The Magic Blade. So naturally I expected some sort of typical romantic storyline within the dangerous Chor Yuen martial world. The film is far removed from this, though, with nary a single love interest to be found. The film definitely does not need them, but because I was expecting it to figure in somewhere along the line, I spent the film looking for the seeds of this non-existent sub-plot and wound up admiring how cleverly plotted and perfectly paced the film is without it.

Like any good wuxia, Pursuit of Vengeance is full of twists that shouldn’t be revealed in wholesale by the likes of me. The Wan Ma clan is inviting swordsmen to their school, and they refuse to take no for an answer. When Fu Hong-Xue says he will not visit, the emissary for the clan says that he will remain there in the road, waiting for Fu’s acceptance, as long as it takes. Of course, this can’t be an innocent gesture, and Fu is too savvy to agree. Ye Kai is also invited, as are others, and it becomes clear that a specific group of people are being pulled together by the Wan Ma clan. What is their purpose? Who is in pursuit of vengeance? You’ll have to watch the movie! It’s too good for me to delve any deeper into the story, suffice it to say that many things are not what they seem and it will take our heroes’ every wit and sense to survive.

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Skiptrace (2016)

Skiptrace [絕地逃亡] (2016)

Starring Jackie Chan, Johnny Knoxville, Fan Bing-Bing, Eric Tsang, Eve Torres, Winston Chao Wen-Hsuan, Yeon Jung-Hoon, Kira Shi Shi, Michael Wong Man-Tak, Dylan Kuo Pin-Chao, Zhang Lan-Xin, Na Wei, Charlie Rawes, Mikhail Gorevoy, Sara Forsberg, Jai Day, Richard Ng

Directed by Renny Harlin

Expectations: Pretty low.


Skiptrace was released a couple of years ago, and if I was a competent film reviewer doing a Jackie Chan series I might have reviewed it back then. I chose not to for a simple reason: Skiptrace didn’t look great, in fact it looked like a film that I didn’t mind waiting to see whenever I reviewed my way up to it. That time has finally come, and I can’t say that I was wrong to wait. Skiptrace is as bad as I thought it would be, but somehow knowing exactly why it’s bad just makes it seem worse than before. I’m not a fan of the Shanghai Noon films, and that’s what this film most closely resembles, so I imagine if you like those you might like this one, too.

We begin in the past, where Bennie Chan (Jackie Chan) scales a dock structure to help his friend (Eric Tsang) with the giant bomb strapped to his chest. Eric Tsang, knowing he is beyond help, jumps into the water below and explodes, leaving Jackie with the guilt and the responsibility to care for Eric’s daughter, Samantha (Fan Bingbing). Meanwhile, Connor (Johnny Knoxville) is a scumbag hustler who happens to meet Samantha in a Macau casino. While there he sees a man murder a woman; the same man who Hong Kong policeman Bennie Chan has tried to convict since he killed Eric Tsang. Somewhere in there Connor and Bennie meet up and the chase is on, with Chinese drug runners and a group of Russians in hot pursuit. It’s hard to describe, but it doesn’t play so disjointed while you’re watching it.

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The Silver Emulsion Podcast: Ep. 96 – Gunslinger Girl -Il Teatrino-

This week on the Silver Emulsion Podcast, Stephen and I are finishing off the anime series Gunslinger Girl with the 2008 second season! Listen and enjoy! 🙂

Watch Gunslinger Girl -Il Teatrino- along with us on Blu-ray/DVD, iTunes, Netflix, Crunchyroll, or Amazon Instant Video!

Also: the show is on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • Billy Larkin – Russell & Williams Street

Outro:

  • Prince & 3RDEYEGIRL – TICTACTOE

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

Foxbat (1977)

Foxbat [狐蝠] (1977)
AKA Operation Foxbat, Nato Code Name MIG-25

Starring Henry Silva, Vonetta McGee, Rik Van Nutter, Roy Chiao, James Yi Lui, Melvin Wong, Wong Hung, Nick Lam Wai-Kei, Phillip Chan Yan-Kin, Tong Chung-San

Directed by Po-Chih Leong

Expectations: High. I liked Jumping Ash, and this one’s on Blu-ray!


In 1976, Po-Chih Leong co-directed Jumping Ash, a film often cited as the beginning of the Hong Kong New Wave. The film was a big hit, and so the following year Leong made Foxbat. The film is interesting in many ways, perhaps most because it is a Hong Kong production shot in English and featuring an international cast. This sort of thing had been done prior by Shaw Brothers and Golden Harvest, but those I’ve seen have all been co-productions with a Western-based film company. Foxbat was made fully independently, so it carries none of the baggage that studio-based co-productions generally have; it is a film with a singular vision executed with style and confidence. Like Jumping Ash it exhibits many hallmarks of the Hong Kong New Wave films, specifically a noted influence from European and American films, location shooting, and the multi-tonality that would come to define Hong Kong filmmaking during the ’80s and ’90s.

The story of Foxbat is based in current events of the time, taking the defection of Russian pilot Viktor Belenko as its jumping off point. On September 6, 1976, Belenko landed his MiG-25 Foxbat jet at the Hakodate Airport in Hokkaido, Japan. The film begins here as well, showing us the defection with scenes shot at the actual Hakodate Airport where it happened. From here the fiction begins, with multiple groups desiring the chance to study the Russian fighter jet. The CIA send Mike Saxon (Henry Silva), a James Bond-style operative, and he captures all the pertinent info via his photographic fake eye. He hides the film inside a candy so it can pass unsuspected through customs, but things get hairy when a goofy Chinese cook, Cheung (James Yi Lui) mistakenly eats the candy!

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Magic in the Mirror: Fowl Play (1997)

Starring Jamie Renée Smith, Kevin Wixted, Saxon Trainor, David Brooks, Godfrey James, Eileen T’Kaye, Gerrit Graham, Bryan J. Terrill, Eugen Cristian Motriuc, Ion Haiduc, Brent Morris, Iulia Gavril, Ileana Sandulescu, Daniela Marzavan, Stelian Nistor, Mihai Niculescu

Directed by Ted Nicolaou

Expectations: Moderate. I liked the first one.

On the general scale:

On the B-movie scale:


The first Magic in the Mirror film was a great blend of weird B-Movie thrills and kids’ movie charm, so I was hopeful that the sequel could deliver more of the same. It turns out that the sequel does just that, but upon receiving it I’m not sure that I actually needed any more. Magic in the Mirror: Fowl Play tries its best to move the adventure in a different direction, but even with this shift the story still boils down to the same beats as the original. For kids who enjoyed the first film, this will likely be a good thing, as the sequel scratches the same itch, but do kids who enjoy these movies still exist? If you’re looking for a bit more, you should probably look elsewhere, although if you’re reading this I’m not sure this applies to you. You’re a special type of person if you’re reading reviews of low-budget kids’ movies from the late ’90s. 🙂

After returning home from her adventure in the mirror world, Mary Margaret (Jamie Renée Smith) is helping her parents prepare for her mother Sylvia’s upcoming party. I honestly don’t remember why they were having a party, but I know it wasn’t a birthday, and I’m pretty sure it was something to do with Sylvia’s work in the field of making lasers that rip holes into other dimensions. Meanwhile, her partner in this work, Dr. Lazlo Tuttle (Mihai Niculescu), has decided to go rogue and use the machine for his own purposes. In doing so he lasers himself directly into Dragora’s palace, and if you forgot who Dragora is, she’s the Drake queen who enjoys nothing more than a good cup of “people tea.” This allows Dragora to enter our world unchecked, bringing with her a couple of Drake underlings and a serious grudge against Mary Margaret.

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The Silver Emulsion Podcast: Ep. 95 – Ator the Fighting Eagle

This week on the Silver Emulsion Podcast, Stephen and I are talking about Joe D’Amato’s 1982 Conan clone, Ator the Fighting Eagle! Listen and enjoy! 🙂

Watch Ator the Fighting Eagle along with us on DVD or Amazon Prime!

Also: the show is on iTunes! So if you feel like subscribing there, or rating/reviewing the show, feel free to share your thoughts!

Music Notes

Intro:

  • John Denver – The Eagle and the Hawk

Outro:

  • Sugarman 3 feat. Charles Bradley – Take it as it Comes

If you’ve got feedback, throw it into the comments below or email it to me via the contact page! We’ll include it in a future show!

The podcast is embedded directly below this, or you can go directly to Podbean (or use their app) to listen. If you want to subscribe, paste http://silveremulsion.podbean.com/feed/ into whatever reader you’re using.

Chinatown Kid (1977)

Chinatown Kid [唐人街小子] (1977)
AKA Chinatown Kung Fu

Starring Alexander Fu Sheng, Sun Chien, Phillip Kwok Chun-Fung, Lo Meng, Jenny Tseng, Shirley Yu Sha-Li, Siu Yam-Yam, Johnny Wang Lung-Wei, Yeung Chi-Hing, Wong Ching-Ho, Lo Dik, Chiang Nan, Yue Wing, Wang Han-Chen, Ku Kuan-Chung, Teresa Ha Ping, Kara Hui, Tsai Hung, Wong Lik, Chiang Sheng, Dick Wei, Wang Ching-Liang, Jamie Luk Kim-Ming, Lu Feng, Chin Chun

Directed by Chang Cheh

Expectations: Interested to finally see the longer cut.


Chinatown Kid is a great Chang Cheh film with a strong following, but it’s one of the few films that had a restoration tarnish its legacy. The story goes that when Celestial went to their Shaw archives to remaster Chinatown Kid, the only print they found was an alternate version that was much shorter, featuring re-shot scenes and a unique ending. This was back in the early 2000s, so at this point, nearly 20 years later, it’s probably safe to say that this shorter version is the only one that will ever be officially released by Celestial. It’s unfortunate because it’s almost assuredly not Chang Cheh’s original cut, but it is better than nothing. For this review, I watched the film twice: once with Celestial’s shorter version (which I’ve seen before), and once with the Venomsfan custom edit that combines a full-length VHS with a couple of extra scenes only found in the Celestial cut.

The story remains fairly constant across the two versions. Tang Dong (Alexander Fu Sheng) is an illegal immigrant who has just arrived in Hong Kong to help his aging grandpa. Finding a job is a struggle without a Hong Kong ID card, but Tang Dong is resourceful, street smart, and willing to work hard to make ends meet. He is largely driven by a materialistic desire to have cool stuff (like a digital watch), but he’s a nice guy at heart. Meanwhile in Taiwan, Yang Jian Wen (Sun Chien, in his debut role) has just returned home from two years service in the army. He shares Tang Dong’s willingness to work hard for his goals, but his family isn’t poor, and he is more book smart and responsible. Both characters end up in San Francisco by very different means (one studying abroad, the other running from the law), and they quickly befriend one another while working at a restaurant.

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